House of Strangers (Mankiewicz, 1949) Iconografía noir y violencia con un trasfondo shakespeariano by Francisca Portillo

“…Finally, and most importantly, there is the comparison between two opposite female roles, that of Maria and Irene, being the first the impersonator of the concept of “the angel in the house” while the later embodies all the features of a prototypical femme fatale.…”
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