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    The American Dream of Authentic Personhood: Homosexuality, Class, and the Normative Individual in U.S. Queer Male Impostor Films (1970-2009)

    The American Dream of Authentic Personhood: Homosexuality, Class, and the Normative Individual in U.S. Queer Male Impostor Films (1970-2009) by Katalin Kis

    “…Through exploring Something for Everyone (1970), Deathtrap (1982), Six Degrees of Separation (1993), The Talented Mr. Ripley (1999), and I Love You Phillip Morris (2009) as moral visions on normative personhood, sexuality, and class, my aim is to disentangle some of the inner tensions of, and negotiations around, individual authenticity as essential to the American Dream.…”
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