Vers un nouveau théâtre politique: William Kentridge et les discours transculturels by Liviu DOSPINESCU

“…There seems to be a link between Kentridge’s multi- and even transdisciplinary artistic approach and the south-african transculturality, which may explain some of the aesthetical, as well as the political sides of theatrical performances, such as Woyzeck on the Highveld (1992), Faustus in Africa (1994), and Ubu and the Truth Commission. …”
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