Two Artists, Two Portraits: Cohen/Joyce – A Study in Affinity by Nigel Hunter

“…Religion, politics, and sexuality are emphatic presences in both narratives; art too, clearly. But, is Joyce’s A Portrait of the Artist as a Young Man (1916) simply a template for later autobiographical Künstlerromane, or is it Joyce’s example as an original master of the form that may be more pertinent here? …”
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