The crossmodal correspondences between basic tastes and visual features: examining visual synergies and the underlying psychological mechanisms by Lee, BP

Subjects:

Why we are not all synesthetes (not even weakly so). by Deroy, O, Spence, C

“…We believe that crossmodal correspondences should be studied in their own right and not assimilated, either in terms of the name used or in terms of the explanation given, to synesthesia. To conflate these two phenomena is both inappropriate and potentially misleading. …”

Searching for perceptual similarity within, and between, the (chemical) senses by Spence, C

“…Such phenomena are often referred to as crossmodal correspondences, or by others (incorrectly in my view), as a kind of ubiquitous synesthesia.…”

As bitter as a trombone: synesthetic correspondences in nonsynesthetes between tastes/flavors and musical notes. by Crisinel, A, Spence, C

“…In parallel to studies of various cases of synesthesia, many cross-modal correspondences have also been documented in nonsynesthetes. …”

'When birds of a feather flock together': synesthetic correspondences modulate audiovisual integration in non-synesthetes. by Parise, C, Spence, C

“… BACKGROUND: Synesthesia is a condition in which the stimulation of one sense elicits an additional experience, often in a different (i.e., unstimulated) sense. …”

'When birds of a feather flock together': synesthetic correspondences modulate audiovisual integration in non-synesthetes. by Parise, C, Spence, C

“…BACKGROUND: Synesthesia is a condition in which the stimulation of one sense elicits an additional experience, often in a different (i.e., unstimulated) sense. …”

'When birds of a feather flock together': synesthetic correspondences modulate audiovisual integration in non-synesthetes by Parise, C, Spence, C

“…Background: Synesthesia is a condition in which the stimulation of one sense elicits an additional experience, often in a different (i.e. unstimulated) sense. …”