Du colportage au musée du Louvre. Les mouleurs italiens en France au tournant du xixe siècle by Pauline Carminati

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Gypsothèque du musée du Louvre. Les apports de la restauration à la datation des tirages en plâtre anciens by Élisabeth Le Breton

Subjects: “…Musée du Louvre…”
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Les fouilles de Suse (Iran) d’après les archives photographiques du département des Antiquités orientales du musée du Louvre by Julien Cuny, Clélia Paladre

“…The department of Near Eastern Antiquities of the Musée du Louvre (DAO) houses an important photographic archive which illustrates the work of French archaeological missions in Iran from the end of the XIXth to the 1960’s. …”
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L’appropriation du modèle du Louvre par les musées de province au tournant du xixe siècle by Camille Doutremépuich

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Les visites nocturnes au musée, une possibilité de changement de registre de visite pour les visiteurs de la cour Marly du Louvre ? by Floriane Germain

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Des antiquités égyptiennes au musée. Modèles, appropriations et constitution du champ de l’égyptologie dans la première moitié du xixe siècle, à travers l’exemple croisé du Louvre... by Juliette Tanré-Szewczyk

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Denise Emmanuel-Rebuffat. Corpus Speculorum Etruscorum. France I. París, Musée du Louvre. 1, Roma, «L’Erma» di Bretschneider, 1988, 206 pp., láms., ilust.... by Jorge Martínez-pinna

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FRANÇOIS BOESPFLUG, Le Dieu des peintres et des sculpeurs: l’Invisible incarné. Paris: Hazan / Musée du Louvre, 2010, ISBN 978 2 7541 0459 3, 272 p., 51 il., índices, bibl. by António José de Almeida

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0291 "Unclaimed" Artworks Entrusted to French Museums after World War II by Anne Dunn-Vaturi, François Bridey, Gwenaëlle Fellinger

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A Burial of Saint Jerome from the Main Altarpiece of the Monastery of San Jerónimo de Valparaíso (Córdoba), a New Work of Alejo Fernández by Alberto Velasco Gonzàlez

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The Etruscans and the Mediterranean : The City of Cerveteri by Jaimee Uhlenbrock

“…On December 5, 2013, an impressive exhibition opened at the Musée du Louvre-Lens, “the other Louvre,” that surely will appeal to anyone interested in terracotta sculpture, as well as to anyone interested in the cultures and civilizations of the ancient Mediterranean. …”
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Non-Invasive On-Site pXRF Analysis of Coloring Agents, Marks and Enamels of Qing Imperial and Non-Imperial Porcelain by Philippe Colomban, Gulsu Simsek Franci, Jacques Burlot, Xavier Gallet, Bing Zhao, Jean-Baptiste Clais

“…On-site pXRF analysis in various French collections (Musée du Louvre, Musée national des Arts asiatiques-Guimet, Paris) of porcelains decorated with painted enamels from the Qing Dynasty, in particular porcelains bearing an imperial mark, identifies the types of enamels/glazes, the ions and coloring phases or the opacifier. …”
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Comparative Study of Architectural Bricks from Khorsabad and Susa Sites: Characterization of Black Glazes by Emmie Beauvoit, Anne Bouquillon, Odile Majérus, Daniel Caurant, Julien Cuny, Ariane Thomas

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Investigation of the Pigments and Glassy Matrix of Painted Enamelled Qing Dynasty Chinese Porcelains by Noninvasive On-Site Raman Microspectrometry by Philippe Colomban, Burcu Kırmızı, Bing Zhao, Jean-Baptiste Clais, Yong Yang, Vincent Droguet

“…The highly prized artifacts are present in the collections of the Musée du Louvre in Paris and Musée Chinois at Fontainebleau Castle in France. …”
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«This a different angle»: Dancing at the Louvre by Marie-Louise Crawley

“…From a dance scholarship perspective, the article examines a central case study, Beyoncé and Jay-Z Carter’s music video APESHIT (2018), filmed in the Musée du Louvre (France), offering a close analysis of its complex choreographies of movement and stillness to argue for dance in the museum as a metaphorical form of statue-toppling, one that can powerfully challenge the art historical status quo.…”
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La production des fours de potiers de la calle de San Pablo, numéros 95-103 de Saragosse. La céramique à décor de cuerda seca (seconde partie) by Claire Déléry

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Afskrækkelse, emblem, repræsentation. Skibet som transportør og bærer af billeder by Carsten Bach Nielsen

“…Taking the famous Nike of Samothrace (ca 200 BC, now in the Musée du Louvre) as a point of departure, examples of painted and sculpted decorations – mainly figureheads from the prows of 18th and 19th century vessels – are presented and placed in context. …”
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Les meubles Boulle dans les palais royaux sous Louis-Philippe by Jean-Pierre Samoyault

“…The collection was also enriched by shipments from the Musée du Louvre, through acquisitions of antique copper and tortoiseshell marquetry pieces with no relation to the work of the master, as well as by the making of copies of furniture items so as to complete sets. …”
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Déploiement de l’espace muséal et engagement participatif des visiteurs : l’expérience perceptive d’une statue en ronde-bosse by Mathias Blanc

“…This article reports on fieldwork conducted at the Musée du Louvre-Lens with visitors discovering a sculpture from the Louvre, the Discophorus. …”
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Manuscrits de provenance yéménite donnés à la Bibliothèque nationale par Pierre Bardey en 1930 by Marie-Geneviève Guesdon

“…Pierre Bardey, l’un des principaux donateurs d’objets sudarabiques au Musée du Louvre a également donné en 1930 à la Bibliothèque nationale dix‑sept manuscrits qu’il avait acquis lors de son long séjour au Yémen. …”
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