An Analysis of Symbolism in William Faulkner’s “The Bear” by Salman Hamid Khan

Subjects: “…The Bear, William Faulkner, Race Identity, Self-Realization, Symbolism…”
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Slovene reactions to William Faulkner's writing by Nataša Intihar Klančar

“…The article deals with Slovene reactions to William Faulkner's writing: a lot of critical attention was given to the author twice, namely after he won the Nobel Prize for Literature  in 1949 and after his death in 1962. …”
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The politics of violence in William Faulkner's Sanctuary by Abdullah, Omar Mohammed

“…Violence is an essential element in William Faulkner’s fictional world. Faulkner uses violence as an analytical perspective that connects his characters to their environment and it is categorized into many types; interpersonal, physical, sexual, racial…etc. …”
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Nature and Predestination in William Faulkner’s “Dry September” by Paparoni, Ginevra

“… William Faulkner’s Protestant culture, as well as his will to revitalize the Christian message, has a strong influence on his literary production. …”
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Chronotopes of law in William Faulkner’s novels, 1930-1939 by Cinzia Scarpino

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Edouard Glissant e o legado de William Faulkner by Eurídice Figueiredo

“…Este trabajo se propone analizar el intertexto que une al escritor Edouard Glissant con William Faulkner a través de dos obras: el ensayo Faulkner, Mississipi [1996] y la novela Sartorius [1999]. …”
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“WHEN WILL I BE BLOWN UP?” – WILLIAM FAULKNER’S WRITING WARFARE by Anca PEIU

“… “When Will I Be Blown Up?” – William Faulkner’s Writing Warfare. The American Civil War (1861-1865) is not William Faulkner’s only warfare. …”
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Jacques Pothier. William Faulkner. Essayer de tout dire. by André Bleikasten

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“MEMORY BELIEVES BEFORE KNOWING REMEMBERS”: EVANESCENCE AND /OR ENDURANCE IN WILLIAM FAULKNER by Anca Peiu

“…My paper focuses on one of William Faulkner’s masterpieces, Light in August (1932). …”
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Don’t Do It on My Carpet: The Humor of William Faulkner’s “Barn Burning” by Ulf Kirchdorfer

“…William Faulkner’s “Barn Burning” has been appreciated critically in just about every way but for its humor. …”
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William Faulkner and his early narrator: Quentin’s voice in That Evening Sun by Luciana Colombo

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Diálogos entre William Faulkner, Murakami Haruki y Lee Chang-dong: Burning by Réka Havassy

“… Este trabajo pretende arrojar luz sobre algunos misterios de la adaptación de Burning (2018), dirigida por el coreano Lee Chang-dong, inspirada en los cuentos de Murakami Haruki y William Faulkner. En primer lugar, demuestra cómo dialogan los diferentes textos –fílmicos o literarios– en función de la intención de sus creadores; en segundo lugar, pone de relieve los aspectos que pueden resultar productivos a la hora de analizar un trasvase entre literatura y cine; y en tercer lugar, ofrece la posibilidad de examinar detalladamente el resultado del proceso de adaptación mencionado, teniendo en cuenta la filmografía total y los estilemas del director. …”
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EMBODIMENT OF THE CONCEPT OF TIME IN WILLIAM FAULKNER’S "AS I LAY DYING" AND VIRGINIA WOOLF’S "TO THE LIGHTHOUSE" by Loreta Ulvydienė, Giedrė Buivytė

“…This article applies the theory of cognitive semantics as a framework for interpreting the embodiment of the concept of time in two modernist novels written using the stream-ofconsciousness technique: William Faulkner’s "As I Lay Dying" (1930) and Virginia Woolf’s "To the Lighthouse" (1927). …”
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Embodiment of the Concept of Time in William Faulkner’s “As I Lay Dying” and Virginia Woolf’s “To the Lighthouse” by Loreta Ulvydienė, Giedrė Buivytė

“…This article applies the theory of cognitive semantics as a framework for interpreting the embodiment of the concept of time in two modernist novels written using the stream-ofconsciousness technique: William Faulkner’s As I Lay Dying (1930) and Virginia Woolf’s To the Lighthouse (1927). …”
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Hunting History and Myth in Linda Hogans´ <i>Power</i> and William Faulkner´s "The Bear" by Laura Castor

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The Monstrous South: Gothic Characters in William Faulkner’s Absalom, Absalom! and Toni Morrison’s Beloved by Artea Panajotović

“…The paper examines some of the Gothic features used in character development in William Faulkner’s Absalom, Absalom! and Toni Morrison’s Beloved, and explores how the two novels complement each other to form a comprehensive picture of the American South around the Civil War. …”
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O gótico em William Faulkner e Lúcio Cardoso: uma leitura comparada by Marina Sena

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William Faulkner, Lena Grove e Elio Vittorini. Dal personaggio al traduttore by Myriam Colombo

“…Il confronto tra il capolavoro di William Faulkner Light in August, pubblicato nel 1932, e la traduzione italiana offerta da Elio Vittorini nel 1939, Luce d’Agosto, permette di evidenziare alcune discrepanze tra le due versioni, dovute a una difficoltà o a un imbarazzo del traduttore nella relazione con il testo originale. …”
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Binary opposition, chronology of time and female identity in William Faulkners A Rose for Emily by Barani, Forough, Wan Yahya, Wan Roselezam

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SHADES OF PASSING: THE DIALECTIC OF IDENTITY IN PHILIP ROTH’S THE HUMAN STAIN AND WILLIAM FAULKNER’S LIGHT IN AUGUST by Sonja Novak

“…The paper takes a closer look at the phenomenon of racial passing as form of cultural transition: as transformation of identity, i.e. as changing of the Self in William Faulkner’s Light in August and Philip Roth’s The Human Stain. …”
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