The Videographic Requirements Gathering Method for Adolescent-Focused Interaction Design by Tamara Peyton, Erika S. Poole

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The Effect of Social Intelligence and Adversity Intelligence of Students on Videographic Creativity by Ayu Nurul Amalia, Suyono Suyono, Riyan Arthur, Supriyadi Supriyadi

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A detailed behavioral, videographic, and neural dataset on object recognition in mice by Chris C. Rodgers

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The Shudder of a Cinephiliac Idea? Videographic Film Studies Practice as Material Thinking by Catherine Grant

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Smile Aesthetic Evaluation on Videographs: An Intra-Rater and Inter-Rater Agreement Study by Mathias Faure-Brac, Angéline Antezack, Sebastien Melloul, Mehdi Hadj Saïd, Anne Raskin, Virginie Monnet-Corti

“…Smile videographs were obtained using a smartphone associated with the Smile Lite MDP mounted on a tripod. …”
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Videographic monitoring at caves to estimate population size of the endangered yǻyaguak (Mariana swiftlet) on Guam by PM Gorresen, P Cryan, M Parker, F Alig, M Nafus, EH Paxton

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PhD Thesis Project - Videographic Film Studies: From the “Unattainable Text” to Video Essays by Mariachiara Grizzaffi

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Videographic, Musical, and Linguistic Partnerships for Decolonization: Engaging with Place-Based Articulations of Indigenous Identity and <i>Wâhkôhtowin</i> by Joanie Crandall

“…The empowering songs of N’we Jinan are place-based articulations of identity that resist coloniality and serve as calls to action, creating embodied videographic, musical, and linguistic partnerships that serve as important articulations of Indigenous identity and which promote the decolonization of reading and listening practices and, by extension, education.…”
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Videographic analysis of blink dynamics in patients with chronic progressive external ophthalmoplegia, myogenic ptosis, and facial nerve palsy using smartphone camera: A comparative analysis by Nazanin Hedayati Amlashi, Mohammad Taher Rajabi, Mahan Shafie, Somayeh Heidarzadeh, Mohammad Bagher Rajabi, Seyedeh Simindokht Hosseini, Ainaaz Haadi, Parnian Soltani

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Filmer l’ambiance urbaine : Les dispositifs vidéographiques à l’œuvre chez William H. Whyte dans La vie sociale des petits espaces urbains by Laure Brayer

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Classification of Valvular Regurgitation Using Echocardiography by Imayanmosha Wahlang, Sk Mahmudul Hassan, Arnab Kumar Maji, Goutam Saha, Michal Jasinski, Zbigniew Leonowicz, Elzbieta Jasinska

Subjects: “…videographic echo…”
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Double Takes by Sarah Atkinson

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The language of rage by Alison Peirse

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Comparing Video Activity Classifiers within a Novel Framework by Chiman Kwan, Bence Budavari, Bulent Ayhan

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Making the Past Come Alive: Public Archaeology at Fort St. Joseph by Dean L. Anderson

“…Review of the DVD: Making the Past Come Alive, Steve Kettner, DVD producer, lead videographer, and editor; Media Production IT, Western Michigan University…”
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Navigating Second Generation Memory and Auto/ biography in Home Video. A Video Collection of Hojda Stojka, Son of Artist and Survivor of the Porajmos Ceija Stojka by Renée Winter

“…Based on a close reading of significant video sequences, a narrative interview with the videographer, and Ceija Stojka’s publications and films, it analyses how the auto/biographical videos relate to the persecution of the parents’ generation. …”
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Non-contact measurement of vibrations using deferred moiré patterns by Vladimir Saveljev, Jung-Young Son, Hyoung Lee, Gwanghee Heo

“…The method is self-calibrated and does not need special equipment in the field (except for a regular videographer’s apparatus). The objectives of this study were to create a method for non-contact moiré measurement based on camera images and to find a way to deal with anomalous vibrations of structures. …”
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Achieving mutual accessibility through the coordination of multiple perspectives in open, unstructured landscapes by Michael Sean Smith

“…Field geology provides a perspicuous setting for not just investigating how participants reconfigure themselves vis-a-vis local features in the landscape in order to perceive those features, but also for examining the relationship between the videographer’s perspective as documented on camera and that of the participants. …”
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Du placard aux réseaux sociaux numériques : circulation de la mémoire d’une scène by Sylvain Martet

“…Inspired by work on music and cultural scenes (Straw, 1991 ; Lussier, 2008), we propose to study the interactions surrounding the posting of concert videos of the Montreal hardcore scene by Andy Chico Mak who was heavily involved as a videographer. From 1997 to 2006, he filmed the majority of concerts in and around Montreal, amassing hundreds of video documents that he gradually shares via an Instagram account and a YouTube channel. …”
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Large carnivore encounters through the lens of mobile videos on social media by Yufang Gao, Andy T. L. Lee, Yu Luo, Justine Shanti Alexander, Xiangying Shi, Tashi Sangpo, Susan G. Clark

“…We also used ethnographic interviews to understand the backgrounds and motivations of videographers. Results show large carnivore encounters are not necessarily conflictual. …”
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