"To be or not to be" in "The Belly of the Whale": a reading of Joseph Campbell's "Modern Hero" hypothesis in Hamlet on Film by Khoury, Y

Subjects: “…Recreational & performing arts…”

The Taming of the (Arab-Islamic) Shrew: Fatin ‘Abdel Wahab re-frames Shakespeare's comedy for the Egyptian screen by Khoury, Y

Subjects: “…Recreational & performing arts…”

Performances, preservation, and policy implications: digital curation and preservation awareness and strategy in the performing arts by Molloy, L

“…Digital assets in contemporary performing arts practice may suffer damage and disappearance, eroding the record of contemporary practice. …”

Masking youth: transformation and transgression in Annang performance by Pratten, D

Subjects:

'Un rire nouveau': Action Française and the art of political satire by Wardhaugh, J

Subjects: “…Recreational & performing arts…”

Eating and the theatre by Burden, M

Subjects:

Review of: Napier, David A.: Foreign Bodies: Performance, Art, and Symbolic Anthropology by Bull, M

Akhir Yom (The Last Day): a localized Arabic adaptation of Shakespeare's Romeo and Juliet by Khoury, Y

Subjects:

The eighteenth-century ballet-pantomime and modern mime by Nye, E

Subjects: “…Recreational & performing arts…”

Guillaume de Machaut: secretary, poet, musician by Leach, E

Subjects:

Negotiating individuality and collectivity in community music: A qualitative case study by Schiavio, A, van der Schyff, D, Gande, A, Kruse-Weber, S

“…In this paper, we report on a qualitative study based on the “Meet4Music” (M4M) project recently developed at the University of Music and Performing Arts Graz, Austria. M4M is a low-threshold community-based program where participatory sessions dedicated to different artistic activities are freely offered to people from different social and cultural backgrounds. …”

How to do things with signs: Rousseau’s ancient performative idiom by Lifschitz, AS

“…He also weaved it into a typology of political regimes and performance arts, identifying it with a particular kind of republican politics and public festivals. …”

On the rise of shocking food by Spence, C, Youssef, J

“…Here, we describe a dish (dessert) that was recently introduced onto the menu at Kitchen Theory, inspired by Barbara Smith’s (1969) edible performance art work entitled ‘Ritual Meal’. Consisting of nothing more than rhubarb and a beetroot juice reduction, the dish is shocking solely because of its visual appearance, both its form and the way in which it is served, cue a human organ that has been removed during surgery. …”