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The Independent European Sport Review: Half Full or Half Empty?
Published 2016-06-01Get full text
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The European Union and the fight against doping in sport: on the field or on the sidelines?
Published 2016-06-01Get full text
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“We consume to forget; we collect to believe”: Resistance, nostalgia, and VHS technologies in 21st century Greek video cultures
Published 2023-12-01“…Moreover, the article will argue that the enduring presence and resilience of VHS technologies can be regarded as a testament to collective memory, a resistance to the digitalization of entertainment, and a longing for simpler ways of life, particularly in the aftermath of the 2007–2008 financial recession and the rise of new technologies.…”
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Between Fiction and Reality in Post-Genocide Rwanda: Reflections on a Social-Psychological Media Intervention for Social Change
Published 2014-04-01“…This article reflects on the potential and challenges of implementing social psychological interventions in the aftermath of genocide, specifically focusing on an education entertainment media campaign in Rwanda. …”
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The new performance space: Drive-in theatre in Nigeria and cultural pedagogy
Published 2023-12-01“…AbstractIn the aftermath of a challenging pandemic that impacted entertainment and social order, there has been a paradigm shift in the way theatre artists respond to emerging realities. …”
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The Attractiveness of TikTok Live Shopping to User Emotional Satisfaction
Published 2023-08-01“…The aftermath of the Covid-19 Pandemic had an impact on the physical and mental health. …”
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Hereditary Multiple Exostoses and Orthopaedist- Till the Plausible Management Evolves
Published 2019-04-01“…Orthopaedists should be cognizant to clinical display of it, along with its differential and aftermath. Surgical mediation often needed to excise the clinically obliged exostoses only.…”
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Future scenarios. A cinematic perspective
Published 2021-03-01“…Similarly, Chris Marker’s La Jetée (1962), a dystopian authoritarian vision of a future society, is set in the aftermath of World War III in a post-apocalyptic Paris and is entirely shot in existing buildings. …”
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