Xheal: a localized self-healing algorithm using expanders by Pandurangan, Gopal., Trehan, Amitabh.

“…For such networks under repeated attack by an omniscient adversary, we propose a fully distributed algorithm, Xheal, that maintains good expansion and spectral properties of the network, while keeping the network connected. …”
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A perfect storm – journalistic translation: translingual quoting in Singapore by Ang, Yiying

“…Translation is an omniscient yet largely invisible part of the news gathering and reporting process. …”
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Heterosexuality, patriarchal notions and a lesbian continuum for female identity by Gan, Amelia Si Min

“…While both depict female-female relations, Sputnik Sweetheart is however, written by a male author who becomes the omniscient male. It is essential to evaluate patriarchal notions of female-female relations as once more, there is the risk of objectifying the female. …”
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The story of us. by Ooi, Samantha Chen Na.

“…The premise of the game was that it is a story retold, and an omniscient narrator narrates the player’s actions as well as being a way for in-game hints and instructions were communicated to the player when required. …”
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In-memory analytical query processing on GPUs by Paul, Johns

“…MG-Join further helps improve the overall performance of TPC-H queries by up to 4.5x over multi-GPU version of an open-source commercial GPU database Omnisci. Finally, we focus on optimizing the execution of entire queries on GPUs. …”
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One versus the mob : a case for the wisdom of crowds in archival appraisal 2.0. by Liew, Jason Yong Fu.

“…Unfortunately, the archivist is not omniscient and is especially inapt concerning websites as the present four established methods of appraisal – Jenkinson, Schellenberg, Documentation Strategy, and Macro Appraisal – were not developed for that purpose. …”
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南宋《胡笳十八拍》集句诗之书写及其历史意义 = Adaptations of Southern song's poem 'Hujia Shibapai' and their historical significance by 衣若芬 I, Lo-Fen

“…As for the content of these three poems,Wan Anshi adopted an objective point of view when describing Cai Yan's life story,Li Gang did not include any historical facts about Cai Yan,and Wen Tianxiang used Cai Yan's tragic experience to describe his own turbulent and vagrant life,which renders the three poems unique in their own way.In Wang Anshi's version of 'Hujia Shibapai',he employed the first person perspective to narrate the story,and sometimes he would change to the observer's omniscient perspective.In general,his narrative tone and structure were quite similar to Cai Yan's 'Hujia Shibapai'.In Li Gang's version of 'Hujia Shibapai',the author deliberately removed the descriptions of Cai Yan's tragic life experience,and made use of the structure to narrate the history of the 'An Shi Rebellion'.Wen Tianxaing,on the other hand,encountered the same tragic experience of separation from his children as Cai Yan did, so his version of 'Hujia Qu' is characterized by his empathy.In this way,Wen Tianxiang not only portrayed a macro-historical picture,but also uttered his own endless frustrations and bitterness.This paper aims to focus on Li Gang's and Wen Tianxiang's versions of 'Hujia Shibapai' as well as a comparison with Cai Yan's original poem.In conclusion,Li's and Wen's versions have three significant features:（1）They were a continuation of Wang Anshi's 'Hujia Shibapai' writing style,which imitated how Cai Yan narrated her tragic life experience.（2）They established the literary status of Du Fu's by setting up his poems as the classic example of lines collection poems.（3）They realized the concept of 'reproducing history by poetry' and expanded the referral meaning of the concept.…”
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南宋〈胡笳十八拍〉集句詩之書寫及其歷史意義 = Adaptations for Southern song’s poem “Hu Jia Shi Ba Pai” (“Eighteen Songs of a Nomad’s flute”) and their historical significance... by 衣若芬 I, Lo-fen

“…In Wang An Shi’s version of “Hu Jia Shi Ba Pai”, there were occasions when he used the first person perspective to narrate the story, and sometimes he would change to the observer’s omniscient perspective. In general, his narrative tone and structure was quite similar to Cai Yan’s “Hu Jia Shi Ba Pai”. …”
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