‘Destroyer and Preserver’: the conservation of literary manuscripts by Jane Austen and Percy Bysshe Shelley by Honey, A, Gilroy, N

Percy Bysshe Shelley’s ‘I visit thee but thou art sadly changed’ by Bowers, W

“…The first line of Percy Bysshe Shelley’s ‘I visit thee but thou art sadly changed’ contains an allusion to Byron that allows for a reconsideration of this lyric blank verse fragment. …”

Shelley's guitar: an exhibition of manuscripts, first editions and relics, to mark the bicentenary of the birth of Percy Bysshe Shelley, 1792–1992. The Bodleian Library, Oxford, 27 April–8 August 1992 by Barker-Benfield, BC

Shape-shifters: Romantic-era representations of the child in the Wollstonecraft-Godwin family circle by Roy, M

“…Mary Shelley, and to a lesser extent, Percy Bysshe Shelley, adapt the radicalism of their predecessors’ literary representations of the child to suit their own altered socio-political contexts.…”

“A bright erroneous dream”: The Shelley Memorial and the body of the poet by Calè, L, Evangelista, S

“…This article argues that Edward Onslow Ford’s Shelley Memorial at University College Oxford (inaugurated in 1893) played an important role in refashioning Percy Bysshe Shelley’s corpus at the turn of the century, particularly by enabling political and homoerotic readings of his works, and contributed to a distinctive fin-de-siècle reception of the Romantic poet. …”

Bod XXIII: Indexes to the Bodleian Shelley Manuscripts with addenda, corrigenda, list of watermarks, and related Bodleian by Tokoo, T, Barker-Benfield, B

“…Garland's magnificent facsimile series of the manuscripts of Percy Bysshe Shelley and Mary Wollstonecraft Shelley in the Bodleian Library, Oxford (The Bodleian Shelley Manuscripts, 22 volumes, 1986-1997) is now made complete by the publication of its Index-volume. …”

Some previously unrecognised references to classical historians in Mary Wollstonecraft Shelley’s The last man by Carney, J

“…‘We are all Greeks,’ writes Percy Bysshe Shelley (PBS) in the preface to ‘Hellas.’ Given the systematic attempts by Mary Wollstonecraft Shelley (MWS) to exorcise the post-mortem influence of her husband, we should not be surprised to find that this claim, too, is interrogated in her fiction. …”

Shelleyan writing materials in the Bodleian Library: a catalogue of formats, papers, and watermarks by Barker-Benfield, B

“…Papers used in the autograph notebooks, home-made booklets, loose sheets and letters of Percy Bysshe Shelley, Harriet Shelley, Mary Wollstonecraft Shelley (to Dec. 1823), and Claire Clairmont (to Sept. 1822), held at the Bodleian Library in its own collections and in the Abinger deposit, with indexes of watermarks and of other features <br> When the project to publish facsimiles of the Bodleian Shelley manuscripts was proposed in the early 1980s, it was soon agreed that the series should be organized by form rather than by content. …”