Between memory and matter: Italy and the transnational dimensions of public art by Bond, E

“…These complex processes of memory-making are illustrated through a comparative analysis of Wes Anderson&rsquo;s&nbsp;<em>Bar Luce</em>&nbsp;(2015), Thomas Hirschhorn&rsquo;s&nbsp;<em>Gramsci Monument</em>&nbsp;(2013), and Muna Mussie&rsquo;s&nbsp;<em>Oblio</em>&nbsp;(2021). …”