Writing in the presence of the languages of the world: language, literature and world in Édouard Glissant’s late theoretical works by Hiddleston, J

“…Jane Hiddleston Glissant’s assertion that ‘j’écris en présence de toutes les langues du monde’ (I write in the presence of the languages of the world) is repeated multiple times in his later theoretical essays, in particular in Traité du tout-monde (Treatise on the Totality-World) , published in 1997. …”

Cross-cultural poetics in Kateb, Salih, Djebar and Dib by Clark, C

“…Its primary theoretical reference is the ‘cross-cultural poetics’ (poétique de la relation) of Edouard Glissant: a set of poetic tropes and narrative structural strategies that he identifies in the mixed cultural setting of the Caribbean, in Le Discours antillais.…”

Opaque poetics in Salvador Plascencia’s The People of Paper by Riach, GK

“…This article reads Salvador Plascencia’s The People of Paper (2005) in dialogue with Édouard Glissant’s concept of “opacity”, an ethical and esthetic stance that values impeding comprehension. …”

Le théâtre d'Aimé Césaire et de Derek Walcott et le « problème de la Relation » by Allen, JD

“…<p>This thesis considers crucial questions relating to the theatrical works of Aimé Césaire and Derek Walcott and argues that the authors' quest for identity is framed by a dialectic which Édouard Glissant has termed "philosophy of Relation". I show that it is this "philosophy of Relation" which helps the authors formulate a theatrical vision that transcends the chaotic aspects of Antillean history. …”

Imprisonment, freedom, and literary opacity in the work of Nawal El Saadawi and Assia Djebar by Hiddleston, J

“…This article also uses Glissant's and Bhabha's concepts of literary opacity and the right to narrate as a partial framework for a reading of the relation between writing, freedom and aesthetic form in the works of El Saadawi and Djebar. …”

Observation of inverse Compton emission from a long γ-ray burst by Veres, P, Bhat, PN, Briggs, MS, Cleveland, WH, Hamburg, R, Hui, CM, Mailyan, B, Preece, RD, Roberts, OJ, von Kienlin, A, Wilson-Hodge, CA, Kocevski, D, Arimoto, M, Tak, D, Asano, K, Axelsson, M, Barbiellini, G, Bissaldi, E, Dirirsa, FF, Gill, R, Granot, J, McEnery, J, Omodei, N, Razzaque, S, Piron, F, Racusin, JL, Thompson, DJ, Campana, S, Bernardini, MG, Kuin, NPM, Siegel, MH, Cenko, SB, O'Brien, P, Capalbi, M, Daì, A, De Pasquale, M, Gropp, J, Klingler, N, Osborne, JP, Perri, M, Starling, RLC, Tagliaferri, G, Tohuvavohu, A, Ursi, A, Tavani, M, Cardillo, M, Casentini, C, Piano, G, Heywood, I, MAGIC Collaboration

The early struggle of black internationalism: intellectual interchanges among American and French black writers during the interwar period by Gaetan, M

“…The thesis successively explores five defining instances of black internationalism: René Maran's <em>Batouala</em> (1921), Alain Locke's <em>The New Negro</em> (1925), black Parisian newspapers from the mid-1920s to the early 1930s, Claude McKay's <em>Banjo</em> (1928), and the early theorization of Négritude. Through the use of Glissant's notion of detour, theorized in <em>Le Discours antillais</em> (1981), this thesis frames 'black internationalism' as a shifting web of negotiations expanding between national and transnational spaces.…”

L'Homme dissonant au XVIIIe siècle by Jacot-Grapa, C

“…<br/> En marge de l’histoire conceptuelle, on a choisi de repérer des réseaux de mots qui apparaissent au dix-huitième siècle, ou prennent une signification particulière, en glissant d’un discours vers un autre pour devenir métaphore d’une certaine expérience individuelle, de l’être différent, unique, sépare. …”

Madame de Genlis et le théâtre d'éducation au XVIIIe siècle by Plagnol-Diéval, M

“…Lié au théâtre de société dont il assimile le mode de représentation et à la tradition du théâtre au collège, le théâtre d’éducation s’adapte aux nouvelles formes de diffusion éditoriale notamment en se glissant dans les livres d’instructions sous forme d’entretiens don’t l’ouvrage de madame de La Fite est un exemple ou dans la première presse pour la jeunesse avec les entreprises de Berquin. …”