L'évolution du conte du Petit Chaperon Rouge du XVIIe au XXIie siècle by Anne-Marie Houdebine-Gravaud

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Faire de l'original à tout prix by Jean-François Sablayrolles

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Paròdia sobre paròdia. C. A. Jordana reescrit per Mercè Rodoreda by Catalina Mir

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L’almanacco serio-faceto tra Italia e Spagna (secoli XVII-XVIII) by Lora Márquez, Claudia

Subjects: “…Literature Research. Parody. Street literature…”
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Notes sobre un manuscrit inèdit de Lluís Galiana by Josep Corell

“…<p><strong>Abstract</strong>: Commentary on an apigraphic essay by Father Galiana, which was used to parody pseudo-specialists and to practice Latin.</p>…”
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"Unha espía no Reino de Galicia" by Manuel Rivas: humour and the construction of Galician national identity by Pilar Martínez-Quiroga

“…Thus, the Galician differential fact, besides the language, territorial unity, the Celtism, or emigration, would also contain the Galician ability to parody their own national discourse.…”
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Um metaromance histórico: «Jaguar en Llamas», Arturo Arias by Márcia Paraquett

“…</p><strong>Keywords</strong>: Guatemalan literature; Arturo Arias; <em>Jaguar en Llamas</em>; parody; historical novel.…”
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Fronteras poéticas en la obra de Mina Loy / Poetic Borderlands in the Work of Mina Loy by Isabel Castelao Gómez

“…The sequential poem «Songs to Joannes» constitutes a parody of traditional love lyric and the troubling of the myth of romantic love through the representation of a poetic subject that plays indistinctively with the roles of masculinity and femininity. …”
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La parodia como evaluación: acerca del sketch televisivo en español by Leonor Ruiz Gurillo

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The carnivalization of the world as criticism: laughter, political action and subjectivity in social life and speech La carnavalización del mundo como crítica: risa, acción polític... by Raúl Ernesto García Rodríguez

“…I analyze the resource of parody and the exercise of subversion of the official –solemn– text, as well as the collective insertion of laughter, as means of inaugurating an alternate, or “second”, existence through which any identitary congruence linked to the reiteration of a discursive regime associated with power relations is contradicted. …”
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Fronteras poéticas en la obra de Mina Loy / Poetic Borderlands in the Work of Mina Loy by Isabel Castelao Gómez

“…The sequential poem «Songs to Joannes» constitutes a parody of traditional love lyric and the troubling of the myth of romantic love through the representation of a poetic subject that plays indistinctively with the roles of masculinity and femininity. …”
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Ideología de la «puesta en texto» en «La tía Julia y el escribidor» de Mario Vargas Llosa by Jacques Soubeyroux

“…In a second part, he discusses the rhetoric of the text composition in the first two paragraphs of chapter 2, in order to show Vargas Llosa's novel is built up by parodying the universe and the processes of para-literature. …”
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Spectators of Mockumentaries: Mockumentaries in the Information Society Espectadores de Falsos Documentales: Los falsos documentales en la Sociedad de la Información by Vicente Diaz Gandasegui

“…Mockdocumentaries aim to play with the status acquired over the years by the spectators of documentaries, parodying the conventions of the genre and criticizing certain cultural or social codes. …”
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Estrellas de Mar: Maria Irene Fornes y la reescritura femenina del melodrama / Starfish: Maria Irene Fornes and the Feminist Rewriting of Melodrama by Mauricio D. Aguilera Linde

“…Abstract Since her debut as a playwright in the 1960s, Fornes has always shown an interest in rewriting and parodying the conventions of romance melodrama, mostly the clash of forces found in the love triangle, and the role of the heroine as the object of masculine desire and the moral adhesive of the family. …”
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