Showing 1 - 6 results of 6 for search '"monk"', query time: 0.06s Refine Results
  1. 1
    明代杂剧中的僧尼形象研究 = The protrayal of monk and nun in traditional Ming opera (Zaju)

    明代杂剧中的僧尼形象研究 = The protrayal of monk and nun in traditional Ming opera (Zaju) by 尹倩怡 Yin, Qian Yi

    Published 2012
    “…In Ming Dynasty, the appearance of Buddhist monk and nun images in traditional Zaju had increase drastically. …”
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    Final Year Project (FYP)
  2. 2
    《西游记》的叙事技巧 ：以唐僧的三个徒儿形象塑造为例 = Exploring the narrative techniques of the novel “Journey to the West” : using the portrayal of the Tang monk’s disciples as example

    《西游记》的叙事技巧 ：以唐僧的三个徒儿形象塑造为例 = Exploring the narrative techniques of the novel “Journey to the West” : using the portrayal of the Tang monk’s disciples as example by 戴欣怡 Tee, Xinyi

    Published 2013
    “…Through text reading, this thesis paper explores the author Wu Cheng-en’s narrative skills through analyzing the way he sculpted the images of Tang monk’s three disciples. The writer looks at the way the author sculpted the images of the three disciples from two perspectives. …”
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    Final Year Project (FYP)
  3. 3
    此论文研究以文本细读的方法，从作者吴承恩如何塑造唐僧三个徒儿的形象，来看作者的叙事技巧。本文将通过两种不同的角度来看作者对三个小说人物的形象塑 造。首先,从三个徒弟最突出的性格特征切入，孙悟空的勇敢、猪八戒的贪心和沙僧的和谐性情。再来观察三人在特定情况下的表现，如三人之间的日常互动和面对困境时 的反应。在观察与分析后，笔者认为作者的叙事带有“奇幻性”、“奇趣性”和“诙谐性”的描写技巧，而这也是《西游记》这部小说之所以会成为脍炙人口的一部古典小说。Through text reading, this thesis paper explores the author Wu Cheng-en’s narrative skills through analyzing the way he sculpted the images of Tang monk’s three disciples. The writer looks at the way the author sculpted the images of the three disciples from two perspectives. Firstly, it is through observing how the author wrote the most prominent character traits of the three disciples, such as Sun Wukong’s braveness, Zhu Bajie’s greediness and Friar Sand’s harmony temperament. Secondly, it is through observing how the author wrote the disciples’ reactions in different scenarios such as during their interactions and when they faced adversities. After much observations and analysis, the writer finds that the author had used narrative skills which are fancying, enthralling and amusing, which is the reason why the novel “Journey to the West” is a popular classic novel.

    此论文研究以文本细读的方法，从作者吴承恩如何塑造唐僧三个徒儿的形象，来看作者的叙事技巧。本文将通过两种不同的角度来看作者对三个小说人物的形象塑 造。首先,从三个徒弟最突出的性格特征切入，孙悟空的勇敢、猪八戒的贪心和沙僧的和谐性情。再来观察三人在特定情况下的表现，如三人之间的日常互动和面对困境时 的反应。在观察与分析后，笔者认为作者的叙事带有“奇幻性”、“奇趣性”和“诙谐性”的描写技巧，而这也是《西游记》这部小说之所以会成为脍炙人口的一部古典小说。Through text reading, this thesis paper explores the author Wu Cheng-en’s narrative skills through analyzing the way he sculpted the images of Tang monk’s three disciples. The writer looks at the way the author sculpted the images of the three disciples from two perspectives.... by 蔡汶澍 Tsai, Thomas Wen Shu

    Published 2013
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    Final Year Project (FYP)
  4. 4
    地方文化与文学创作的关系 ——以汪曾祺作品为例 = The relationship between folk culture and literary creation: a case study on Wang Zengqi's works

    地方文化与文学创作的关系 ——以汪曾祺作品为例 = The relationship between folk culture and literary creation: a case study on Wang Zengqi's works by 李毓 Li, Yu

    Published 2023
    “…This paper delves into Wang Zengqi's works such as A Tale of Big Nur（《大淖记事》）, Special Gift（《异秉》）, The Love Story of a Young Monk（《受戒》）, Homeland's Food（《故乡的食物》） and others, with a particular focus on how the folk culture of Gaoyou influenced his creations. …”
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    Final Year Project (FYP)
  5. 5
    沙僧是否是“可有可无”的人物？ ——论析《西游记》小说里沙僧的形象塑造与作用 = Is Sha Seng a “Dispensable” character: an analysis of the character of Sha Seng in the novel Journey to the West

    沙僧是否是“可有可无”的人物？ ——论析《西游记》小说里沙僧的形象塑造与作用 = Is Sha Seng a “Dispensable” character: an analysis of the character of Sha Seng in the novel Journey to the West... by 胡淑政 Oh, Shu Zheng

    Published 2023
    “…关键词：《西游记》，沙僧形象，定心丸，人性向善，精神空虚，明代社会 The novel of “Journey to the West” is one of the classics in Chinese classical literature, and the images of the Tang monk and his three disciples have always been a subject of great interest for scholars. …”
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    Final Year Project (FYP)
  6. 6
    Disenchantment narrative in anti-superstition fiction of the late Qing dynasty

    Disenchantment narrative in anti-superstition fiction of the late Qing dynasty by Ding, Sing Jek

    Published 2015
    “…The disenchantment narratives in these fiction targeted five lines of thoughts, namely the nonexistence of gods and deities, vicious practices of the monks and priests, revelation of the tricks of the fortune tellers and wizards, the scams of the feng shui masters and the tragic consequences of superstitious behaviours. …”
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    Thesis

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