Analytical Listening and Aesthetic Experience in Music Criticism by Srđan Teparić

Subjects: “…music criticism…”
Get full text

Teresa Cascudo (ed.), Nineteenth-Century Music Criticism by Marica Bottaro

Get full text

Music criticism and the social construction of meanings for Prince’s mid-1980s recordings by Jonas Soares Lana

Subjects: Get full text

Between music and ideologies: Croatian music criticism from the beginning to World War II by Sanja Majer-Bobetko

“… As the Croatian lands were exposed to often aggressive Austrian, Hungarian, and Italian politics until WWI and in some regions even later, so Croatian music criticism was written in the Croatian, German and Italian languages. …”
Get full text

The reception of nineteenth-century Serbian salon music: Performer, audience and music critic perspectives by Kokanović-Marković Marijana

Get full text

British music criticism in a new era: Studies in critical thought 1894-1945 by Scaife, N, Nigel Clifford Scaife

“…<p>The mid 1890s witnessed the start of a new era in British music criticism heralded by George Bernard Shaw. A preliminary study of the nineteenth-century critical context provides some reasons for its emergence. …”

Barbara L. Kelly, Christopher Moore (eds.), Music Criticism in France, 1918-1939. Authority, Advocacy, Legacy by Florence Huybrechts

Get full text

Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role by Vasić Aleksandar

“…Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. …”
Get full text

Petаr Bingulac's music criticism in Misao magazine: Evaluations of Serbian choral music and its performers by Vojvodić-Nikolić Dina

Subjects: Get full text

UKRAINIAN MUSIC CRITICISM OF THE 2010s: GENERAL SITUATION, PROBLEMS, DIRECTIONS OF DEVELOPMENT (BASED ON THE EXAMPLES FROM CONTEMPORARY ART MUSIC SCENE) by Iryna TUKOVA, Valentina REDYA, Iryna KOKHANYK

Subjects: “…Ukrainian music criticism, contemporary art music, policy of colonialism, review, announcement.…”
Get full text

CRITICISM EVOLUTION IN ROMANIAN MUSICAL PERIODICALS: FROM GAZETA TEATRULUI NAȚIONAL (1835-1836) TO MUZICA (1908–PRESENT) by Cristina ŞUTEU

Subjects: “…musical criticism, periodicals, Romania.…”
Get full text

Gian Carlo Menotti’s The Last Savage: Opera, Science, and Relevance in Cold War American Culture by Cynthia Lisa Dretel

Subjects: “…American opera; politics; Cold War; Menotti; music criticism…”
Get full text

Kritisk tilstand: Har kritikeren utspilt sin rolle som smakens portvakt? by Thomas Owren, Helle Sjøvaag

Subjects: Get full text

In Memoriam Viorel Cosma (1923-2017): Outstanding Personality for Romanian Musicology by Cristina ȘUTEU

Subjects: “…Viorel Cosma, Romanian Musicology, George Enescu, Lexicographer, Music critic.…”
Get full text

Reactions to the first Music Biennale Zagreb (1961) in Belgradian daily newspapers by Marinković Miloš

Subjects: Get full text

Kidungan Jula-juli in East Java: Media of Criticism and Propaganda (From The Japanese Occupation Era to The Reform Order in Indonesia) by Aris Setiawan

Subjects: “…kidungan jula-juli, music function, music criticism, propaganda, east java…”
Get full text

Warsaw seasons of Salomea Kruszelnicka (1898–1902) by Magdalena DZIADEK

Subjects: Get full text

The place of ‘Russian music’ on the multicultural map of Europe by Piotrowska Anna G.

“…Both Russian and non-Russian composers and music critics willingly used the notion of Russian exoticism to differentiate the Russian musical legacy from the (western) European tradition, especially in the 19th century. …”
Get full text

CREATING THE ROMANIAN NATIONAL MUSICAL STYLE – A PROBLEM OF MUSICAL OR NATIONAL IDENTITY? by Otilia CONSTANTINIU

“…My intention is to discover this relationship in the discourses of the composers’ and music critics through what they understood by national style. …”
Get full text

Velocity and Virtuosity: An Empirical Investigation of Basic Tempo in Contemporary Performances of Two Large-scale Works of Chopin and Liszt by Danny Zhou, Dorottya Fabian

“…It achieves these goals by analyzing a set of recordings of Chopin's First Ballade and Liszt's Sonata with a view to examining the tendency of basic tempo in the performances of two pianists who are most often considered as virtuosos of our time by music critics of English-speaking countries – Kissin and Lisitsa. …”
Get full text