A Typology of Ad-Libbing: Performing Authenticity in Contemporary Worship by Shannan K. Baker

Subjects: “…contemporary worship…”
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Venezuelan Evangelical Digital Diaspora, Pandemics, and the Connective Power of Contemporary Worship Music by Fernando Adolfo Mora, Enrique García Martínez

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“Blessed Is the One Whose Bowels Can Move: An Essay in Praise of Lament” in Contemporary Worship by Casey T. Sigmon

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“This Is No Performance”: Exploring the Complicated Relationship between the Church and Contemporary Congregational Songs by Daniel Thornton

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The Music of the Silent Exodus: Nunchi Bwa-ing and Christian Musicking in a Second-Generation Asian American Church by Kathryn Minyoung Cooke

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Exuberant Praise: A Pentecostal Reading of Psalm 150 by Lee Roy Martin

“…Therefore, the methodology of this article views Psalm 150 through the lens of Pentecostal spirituality and offers a contemporary appropriation of this biblical text for contemporary worship. The methodology includes historical–grammatical exegesis that focuses on the rhetorical effect of the poetic structure and content. …”
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Publishing Privileges the Published: An Analysis of Gender, Class, and Race in the Hymnological Feedback Loop by Katie Graber, Anneli Loepp Thiessen

“…Contemporary hymnody and contemporary worship music are predominantly written by men, and additions of global song have relied on a narrow swath of scholars and publications. …”
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No longer slaves: weak hamartiology in Bethel Music by Kalveks, T

“…Bethel have produced a large number of pop worship songs, such as ‘Forever’ and ‘No Longer Slaves,’ that have been incorporated into contemporary worship services across the globe, as the pop idiom has become more popular in Christian worship. …”