Häälikuinstrumentatsioon Artur Alliksaare luules by Rebekka Lotman, Maria-Kristiina Lotman, Mihhail Lotman

“…This model is illustrated with examples from Artur Alliksaar’s poems, in which sound plays a structurally significant role. …”
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Eesti dekadentlik sonett by Rebekka Lotman

“…The concept of decadence also found its way into Estonian literary circles through sonnets when Johannes Aavik published his article Charles Baudelaire ja dekadentismus (“Charles Baudelaire and the Decadent movement”) in 1905, alongside translations of Baudelaire’s poems, including two sonnets (De profundis clamavi and La Destruction). …”
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Eesti NSV kirjanike liidu kirjanduslikud konsultandid kui väravavalvurid by Eve Annuk

“…Although there were separate consultants for poetry and prose, several consultants handled both poems and prose writings. Various writers, such as Debora Vaarandi, Ellen Niit, Paul Kuusberg, Eduard Männik and others, served as consultants. …”
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Barbarus (ja Semper) ning „modernim ahvisugu”. XX sajandi esimese poole haritlasvasakpoolsuse estetistlikust aluspõhjast by Aare Pilv

“…The use of Verhaeren’s name in this poem and elsewhere in the works of Barbarus and Semper is then examined. …”
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Dekadents kui ambivalentside esteetika. Segunemised ja sünteesid by Mirjam Hinrikus, Jaan Undusk

“…This article defines decadence as the aesthetics of ambivalences, drawing on Charles Baudelaire’s poem “A Carcass” (Une charogne), where decadence signifies both decline and deterioration, as well as rising, transition, and renewal. …”
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