Theios Homèros : du poète inspiré au poète divinisé ? by Flore Kimmel-Clauzet

“…The epithet then became one of the forms, which could be used to formulate the deification of Homer, and it recurs in numerous epigrams dedicated to the glory of the poet. This connotation also enabled writers to reflect on the status of the poet (human, divine, or halfway between man and god?)…”
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«Englishing» Dante: Three Recent American Poets’ Translations of the Inferno by Paola Loreto

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'Maschera della maschera': le traduzioni dall'anglo-americano di Giovanni Giudici (anni 1950-1960) by Franco, T

“… <p>My thesis focuses on the Italian poet Giovanni Giudici (1924-2011) and specifically on his activity as a translator from Anglo-American poetry, during the decade 1950-1960. …”

La «melodia selvaggia» della Natura by Massia, Federica

“… The article aims at verifying how Gabriele d’Annunzio’s idea of the correspondence between poetry and nature has influenced many Italian poets at the beginning of the 20th century, with particular regard to their choice of the free verse. …”
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Figlie di Omero. Verso un'epica femminile. by D'Amico, M

“…Despite the apparent distance between these authors, the intertextual analysis identifies in the renegotiation of the female subject as heroic and the authoriality of women poets the most radical closeness between their poetics. …”

Adoperare Furio Jesi by Pierluigi Lanfranchi

“…Kerényi; the way he “uses” poets in dealing with theoretical and exegetical questions; his ideas about the limits of every scholarly undertaking. …”
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Lexical lists and the birth of a lexicographer: the case of Vincenzo Monti by Claudia Bonsi

“…The lexical lists that can be found in the avantext of the Proposta di alcune correzioni ed aggiunte al Vocabolario della Crusca (1817-1826) by Vincenzo Monti allow to highlight some of the mechanisms which set the making of the poet’s lexicographic and linguistic thought from an unprecedented point of view.…”
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Attraversare d’Annunzio? by Boggione, Valter

“… The article discusses the relationship between d’Annunzio and the Crepuscular poets. Corazzini initially was an inconstant friend of d’Annunzio’s taste, but at the end of his life reconciles d’Annunzio’s flair for Nietzsche with mysticism and nationalistic ideology. …”
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The “Double Orpheus”: between Myth and Cult by Tomasz Mojsik

“…The analysis of the circumstances in which certain features of the mythical image appear will allow us to pose a question about the role of his cult and tomb within the phenomenon of the cult of the poets, on the one side, and King Archelaos’ cultural politics, on the other. …”
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Le parole di d’Annunzio in Rebora by Mussini, Gianni

“…Beside many examples of specific intertextual relations, concerning first Frammenti lirici and then Canti anonimi and Poesie sparse, this paper also includes in-depth analysis of the peculiar ideology underlying the two poets’ work. The results of this research, tapping also into the Concordance, are copious. …”
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La scena rubata by Gavrilovich, Donatella

“… In the autumn of 1907, Vera Komissarzhevskaya commissioned the poet Valerij Brjusov to translate the text of the tragedy Francesca da Rimini by Gabriele d’Annunzio, never staged in Russia. …”
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«Un ritrovo di poeti alla ricerca del nuovo» by Mancini, Leonardo

“…Two letters from Rasi to d’Annunzio and the correspondence of Gabriellino with the other students of the School, along with their memories, allow to understand more clearly the cultural and literary value of a theatre that was first of all, as later defined by Marino Moretti, «a meeting of poets in the search of the new». …”
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D’Annunzio e due opere di Astolfo de Maria al Vittoriale by Dal Canton, Giuseppina

“…The close connection between the literary work and the two paintings, and the meaning these must have had for d’Annunzio explain the role these pictures had as objects d’affection and the peculiar place they held in the poet’s bedroom since the first arrangement of the rooms of the Vittoriale. …”
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La lancia di Peleo: vitalità di un tópos by Susanna Bevilacqua

“…</p><p>The essay traces the <em>tópos</em> of “Peleus’ spear” throughout the history of literature, from Provence to Italy, from Bernard de Ventadorn to Dante’s Inferno, through Sicilian poetry and pre-stilnovistic poets. While it is believed to be one of the most common <em>tópoi</em> of ancient poetry, it is only rarely used in its semantically richest form (a spear wounding with its first blow and healing with the second) and is more often linked to the concept of a “love dart”.…”
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Il poeta e la Gazzetta by Sbordone, Giovanni

“…Whether from literary works or personal exploits, his success is mainly due to ideological messages and fanciful personality; so, at least from the first performance of La nave in 1908, the poet’s flag is hoisted by local nationalist movement and rising economic powers aiming to extend, in the name of a ‘Greater Venice’, italian influence on Adriatic Sea and Balcanic area. …”
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«Figlio di una turbina e di d’Annunzio»: Marinetti edipico? by Bragato, Stefano

“…Through these declarations Marinetti aimed at seizing d’Annunzio’s literary legacy, thus elevating the contemporary Futurist poets as his legitimate successors. …”
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D’Annunzio fruitore di musica a Venezia by Uras, Lara Sonja

“…The organ becomes the favorite musical instrument, prevails like a basso ostinato in the poet’s life, conducts a «thematic function» in his literary ‘polyphony’ to become, sometimes, ‘leitmotif’ in his train of thoughts. …”
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Il Vate e il suo doppio ironico by Giani, Maurizio

“…Among the German admirers of the ‘Vate’ there were poets and novelists such as Stefan George, Hugo von Hofmannsthal and Heinrich Mann. …”
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Immagini belliche dai provenzali ai siciliani by Giulia Ravera

“…These models represent a fundamental example, which anyway doesn’t necessarily lead the Sicilian poets towards imitation. They are also a starting point in the search for  autonomy through selection, transformation and appropriation of expressive tools. …”
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Il d’Annunzio di Giuseppe Ungaretti by Migliorati, Massimo

“… This essay explores the traces that the reading of d’Annunzio’s works has left in journalistic texts, in the letters and in Giuseppe Ungaretti’s poems, and focuses on the ambivalent relationship that the poet born in Alexandria in Egypt established with the work and figure of the poet born in Pescara. …”
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