Italian cultural policy: conclusions for Russia by M. S. Andreykina, D. L. Morozova

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Theatrical Activities for Educational and Upbringing Purposes: the Experience of African Countries by T.A. Poskakalova

“…In accordance with this area of research, the article provides a brief historical review on the development of African performing arts for the educational purposes. It also presents theoretical approaches to the most demanded and efficient theatrical practices for the local communities that are focused on their development and integration, heritage preservation and transfer of their original culture from one generation to the next. …”
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Theoretical Regulations and Institutional Features of Financing Arts by N. A. Burakov, O. A. Slavinskaya

“…The authors have analyzed organizations of the performing arts sector, one of the classic key benefits in the economy. …”
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The rise of author-performed song in Tuva (1921–1944) by Valentina Yu. Suzukey

“…The arrival of theater, dance and music professionals from the USSR at the beginning of the 1940s at the bequest of PRT’s government led to a sea change in professionalization of Tuvan performing arts. In 1951 A. Chyrgal-ool became the first Tuvan student to join a conservatoire in Kazan which he graduated from in 1957. …”
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Volkonsky and the Reform of the System of Honorary Titles of the Imperial Theatrеs Actors by Petr N. Gordeev

“…Volkonsky presented a new project in which he proposed to establish a two-rank award for the representatives of all kinds of performing arts, in which there would be the lowest level of the title – “honored artist” and the highest – “soloist of His Majesty”. …”
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Documentaries of 2021 on Art in Russia: Experiments in the Portrait Film Genre by Kuzmina, Lidiya Viktorovna

“…The focus is on the films, on the one hand, united by the theme of visual and performative arts; however, on the other hand, the author concentrates on how directors raise problems related to Russian society and the country in general and try to solve them. …”
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