Pelevin’s Trinity in the novel “t”: author – protagonist – reader

“…The article attempts to interpret Pelevin's artistic strategy in the novel "T" by exploring its subject organization and addressing the key problems of the author, the protagonist, and the reader as they are seen by the researcher. …”
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Protagonist’s Self-Writing: Modus of Biography at the Intersection of Methodologies by Yulia Pavlenko

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Author, Narrator and a Protagonist as the Agents and Subjects of the Intersection and Inversion of Identities in a Modern Biographic Discourse by Galyna Dranenko

“…The attention is paid to the intersection and inversion of identities of an author, a narrator and a protagonist resulting in the creation of new identities. …”
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Impostor - Tsar Opposition in M. Tsvetaeva's Book Vyorsty

Subjects: “…impostor, opposition, poetry book, motif, protagonist…”
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"I Have ... I Have other words, but I will not Express them...": novel discord "Fathers and children"

Subjects: “…turgenev, dialogue, protagonist, word in the novel, position of the author, polysubjectivity…”
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Mystery of the death of Angelica

Subjects: “…marietta chudakova, children's detective story, genre, protagonist, author's commentary…”
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VIRTUAL REALITY OF CONTEMPORARY CHILDHOOD IN THE PLACE BY BRITISH PLAYWRIGHTS

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"At the beginning of life I remember school..." (Lesson-conversation on the story of B. Putilov "the Destruction of Lehi Bykov" in 8th grade)

Subjects: “…topic, spiritual maturity, lesson conclusions, protagonist, lesson aim, progress of the lesson…”
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MONOLOGIC NARRATION: FROM MARCEL PROUST TO THE NOUVEAU ROMAN

Subjects: “…proust’s traditions, french literature, protagonist, narrator, point of view, poetics, literary styles…”
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Tsvetayeva’s Poem “Ob Ushedshikh, Otoshedshikh”: Transformation of the Prayer Canon

Subjects: “…m. tsvetayeva, prayer genre, emotional tone, protagonist, lyric book, “lebedinyi stan”…”
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«Style Drive in M. Tsvetaeva’s Poem «Minuta»

Subjects: “…style, inertia of style, mechanisms of style-forming, paronimic attraction, poetic etymology, protagonist, m. tsvetaeva…”
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Tragedy “Mozart and Salieri”: Conflict Phenomenology and Culturology by P. N. Tolstoguzov

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Russian National Character in the Historical Novel by D. N. Mamin-Sibiryak “Okhonya’s Eyebrows”

“…The aim of this work is to consider the protagonist of the historical novel by D. N. Mamin-Sibiryak “Okhonya’s Eyebrows”, to reveal the manifestations of the original national principle in his personal traits, the type of his consciousness and his value-based motivations. …”
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Live Your Life Twice. The Individuation of the Main Female Character in the Novel of Ilya Prozorov’s “D-Train”

“…Individuation performs a healing function in the life of the protagonist, allows her to get to know herself better and get rid of behavior false and harmful for the psyche. …”
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Coloratives in the system of narrative discourse strategies of L.N. Tolstoy (based on the novel 'Resurrection') by E.A. Masolova

“…Anticipating the bad deeds of the protagonist, the nature sends him warning signs. Enjoying the enlightenment of the protagonist, the nature inscribes him in its own harmonious existence. …”
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Silencing the Other in ‘The Artist’ (2006) by Maggie Gee

“…The second set of formal means are signs and symbols, which represent lack of protagonist’s sensitivity and ‘answerability’ to the Other: the protagonist’s ability to perform (verbally and corporeally) with empathy is questioned. …”
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Evolution of the Image of the Main Character in B. Akunin’s Fandorin Cycle

“…It has been found that the age-related and psychological evolution of the protagonist, closely associated with the disintegration of the Russian empire, becomes the mainstream plot of the Fandorin project. …”
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The Theme of “Hermitage” in Samuel Johnson’s Essay “The Vision of Theodore, the Hermit of Teneriffe, Found in His Cell”

“…The effect of the authenticity of the vision is also achieved through the motif of the manuscript found in the cell and the allusion in the protagonist’s name. The protagonist’s complicated inner state (including his passionate desire to climb the mountain and the doubts about the action) becomes the starting point in the development of the plot. …”
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On the Sophian Archeplot in the Novel “Chevengur” by A. Platonov

“…Just like her Holy Protector, the protagonist looks forward to the coming of her Savior, but none of the characters turns out to be one. …”
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HOW DREAMS AND PLANS CAN INTERFERE WITH LOVE: ILYA OBLOMOV AND OLGA ILYINSKAYA IN THE NOVEL BY I. A. GONCHAROV

“…The study of the epic is based on the analysis of the main questions: Why does the protagonist refuse of living a full-fledged life? Why does the author lead a protagonist through the test of love? …”
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