Vladimir Chulanov: “Our experience with overcoming the pandemic will help us effectively address future threats” by article Editorial

“…The Russian healthcare system and manufacturers have worked in close cooperation to develop new vaccines in the shortest time possible.The pandemic is still continuing, and so are the extensive efforts to fight it. However, the medical and pharmaceutical community has had enough time to draw certain conclusions and learn important lessons that may come useful in dealing with the current and future epidemics.We have discussed these and other COVID-19-related questions with Vladimir Chulanov, Chief Freelance Specialist of the Ministry of Health of Russia, Doctor of Medical Sciences, Professor of the Chair of Infectious Diseases of the Sechenov University, Deputy Director for Science and Innovations of the National Medical Research Center of Tuberculosis and Infectious Diseases.Interview by Nataliya Velts…”
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Formation of “Red Scare” Concept in USA in First Half of XX Century by Y. A. Levin, S. O. Buranok

“…The measures taken by the FBI and its director John Edgar Hoover in the 1930s against Soviet intelligence, which contributed to reinforcing negative perceptions of the “Red Scare” within the agency are highlighted. …”
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Students of Secondary Schools of Ust-Medveditsky District During the Anti-Bolshevik Revolt on the Don River in the Spring-Summer of 1918 by Grechko Svetlana Yu.

“…Pupils of Ust-Medveditskaya gymnasium, dissatisfied with the resignation of the Director, organized the attack on the representative of local authorities. …”
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Provocation in V. Shukshin’s Artistic Consciousness: Motives and Limits of Testing Meanings

“…This article analyzes Shukshin’s radical moral and artistic position as a writer and cinema director. The aim of the study is to describe the paradox of the provocative uniqueness of the artist, fighting for his right to speak in the name of the people. …”
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CONSTANTLY WIRED WORLD: OBVIOUS BENEFITS AND HIDDEN COSTS

“…Modern theatre which still remains an important social arena fights for the attention and active comprehension of the audience and some of the means of achieving this goal are kaleidoscopic montage and Brechtian estrangement in drama.…”
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