PEDAGOGICAL SCHOOL PROCESSES IN PERFORMING ARTS - THEATRE IN BOGOTÁ by Angela Valderrama Diaz

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Análisis bibliométrico de la producción científica en Visual Arts y Performing Arts indexada en Scopus: logros y retos by Valeria de los Ángeles Agámez-Llanos, Juan Fernando León-Cano, Edward Javier Ordóñez †, Luis Carlos Rodríguez-Timaná, Javier Ferney Castillo-García

“…Se realizó un análisis bibliométrico de las categorías Visual Arts y Performing Arts indexadas en Scopus durante 2016-2020 para evaluar la producción científica global en estas disciplinas. …”
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A PERFORMANCE ARTE QUE VIROU POLVO: FLUTUANDO NAS ÁGUAS DAS ARTES EM CORPORALIDADES HÍBRIDAS E ININTELIGÍVEIS by Camila Olivia de Melo, Regiane Ribeiro

Subjects: “…performance arte…”
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La documentación de la performance. Reflexiones sobre cómo materializar la ausencia en el arte de acción actual: primer acercamiento. by Marc Montijano Cañellas

Subjects: “…Documentación performance; arte de acción; performance; teoría de la performance; teoría del arte.…”
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María García, Clori, la actriz bonapartista by Fernando Doménech Rico

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Implications of the cognitive dimension of art in artistic scenic education. Some contributions for the teacher in scenic arts at the high school level. by Carolina Merchan Price

“…In the conclusions, we open the possibility of a need to redefine the conceptual axes to train teachers in performing arts, articulating specific disciplinary knowledge of performing arts with the needs of the scholar project itself, particularly those linked to the social and individual development of the person in the frame of basic and intermediate school.…”
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Neuroauriculotherapy: Framework and Remarks for a possible use in Voice Medicine by Giulio Giovanni Sulis, Maria Paola Murgia, Francesco Mecorio, Alfonso Gianluca Gucciardo

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The Art of Burle Marx, a mass choreography led by Bryn Walters at the Olympic Games Rio 2016 by Isabella Scursatone, María Eugenia García-Sottile, Sebastián Gómez-Lozano

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Productive tensions of an audiovisual theatrical archive: reflections from a management and research experience by Bettina Girotti, Pamela Brownell

“…We organized our reflections on a series of pairings that condense these productive tensions ‒theatrical research/archive; theatrical/ audiovisual; analogical/digital; personal archives /institutional archives‒ and that allowed us to analyze some of the specific circumstances and conceptual discussions in which the TyPAL is framed and that let us address issues of performing arts research in the context of the growing archival interest widespread in contemporary culture.…”
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Hábeas Corpus (Tendrás tu cuerpo) by José Domingo Garzón Garzón, Diego García, Luis Hernandez, Cristian Poveda, Ángela Pineda, Óscar García

“…In search of a scenic alderedor inquiry body, and within the framework of an autonomous creation process, a group of college students majoring in Performing Arts at the National Pedagogical University, who during 2013-2 and 2014-1 academic space coursed theatricality and Representation, undertook the task of entering into their own experiences, their biographies and aesthetic, and from there, trying to compose a scenic done to put into play their perceptions of the body, body. …”
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Anhum: del coro virtual a la experimentación musical en tiempos de pandemia by Fernanda Keiko Miki da Costa - Auta Inês Medeiros Lucas d'Oliveira

“…Such creations are experimental and seek, through sound resources and performing arts, to translate the pandemic experience of a choral director and invite the public to active listening and collective creation through technology.…”
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Experiencias artísticas orientadas hacia la conceptualización del cuerpo en la tecnoescena by Anabel Edith Paoletta

“…The techno-scene (Kozak, 2012) in contemporary times is understood as the manifestation of performing arts that presents the incorporation of different technological supports in the scenic space to modify the perception of theatricality in the works where telecommunication connects distant spaces in the same show, and where the intersection of features that characterize the local reveals the cul-tural transformations that we perceive as hybridity. …”
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Cuerpo, dictadura y memoria: visualizaciones de la violencia a través de la performance de Carlos Leppe by Marcy Campos Pérez

“…Trough this paradox this paper analyzes how Carlos Leppe’s work calls for the visualization of a « body in conflict » generating a particular corporal aesthetic within performative arts in Chile. Finally, trough the current reception of the performance’s images, this paper examines the intrinsic relation between body, image and memory…”
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VISUALIDAD Y DAÑO. NOTAS SOBRE NATURALEZA Y MEDIOAMBIENTE EN EL ARTE ARGENTINO by Verónica Cecilia Capasso

“…La selección está formada por una variedad de lenguajes estéticos: performances, arte-activismo, pintura, tapiz. Se desarrollan algunas referencias sobre el tema y se analiza el corpus y, por último, se establece una serie de conclusiones para pensar la lucha contra la precarización de la existencia desde el arte.…”
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Ceremonial en performance de viento teatro: pamuri mahse by Fernando Duque Mesa

“…La<em> performer </em>recuerda el acto fundacional mítico de unas culturas milenarias, quienes profesan las más antiguas y a la vez las más modernas artes, articulando en el performance, artes que no les son extrañas, en el mundo de la creatividad y de la imaginación. …”
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Em obras / em ruínas by Cristina Martins Tavelin

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