The Autonomy of the Meditative Fairy Tale as a Genre for Children by Gabriela Magalová

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Between liturgy and theatre : the Jesuit Lenten meditations from the Baroque Silesia by Tomasz Jeż

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Die Passion Christi als musikalische Meditation : Text, Bildgestalt und Symbolik bei Dieterich Buxtehude, Heinrich Ignaz Franz Biber und Heinrich Schütz by Hermann Jung

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The cruelty of waking: ahypnotic experience in the world of Franz Kafka by Chavalka, Jakub

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The Figure of Modem Melancholy and Its Inventory: An Intermedial Interpretation of One of Jirásek' s Scene by Stanislava Fedrová

“…This concept thus needs to be seen in its particular historicity, the transformation of the visual depiction of melancholy in the second half of the 18th century must be understood in the context of the contemporary philosophy and aesthetics of sentiment focused on subjective emotions and connected to man´s meditation in natural enviroment, to key cultural concepts such as the notion ´sensibilité´ (Frank Baasner). …”
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Three Psalmic Adaptations by Andrej Sládkovič by Ľubica Blažencová

“…The article focuses on reflective-meditative poetry the Slovak poet Andrej Sládkovič (1820 – 1872) wrote in the 1860s and early 1970s. …”
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MIKULÁŠ DOHNÁNY: CONTEMPLATIVE ELEGIES by Ľubica Schmarcová

“…If the titanic act shows as non realisable, or it fails, the subject has a tendency to isolate, passively meditating in the shelter, waiting for an upcoming great historical change. …”
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The relation between religious litanies and the avantgarde litanie form in Slovak surrealist poetry by Jana Juhásová

“…The interpretation of the poems supports her theory, according to which there are two types of the litany form: processional and meditative. The features of the former are large text size, enumeration and free composition. …”
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Hviezdoslav's Unknown Slovak and Hungarian Poetic First-Fruits from th Family Estate of Albert Pražák by Ján Gbúr, Anna Zelenková

“…First, she focuses her interpretive efforts on a collection of unknown Slovak poems by young Hviezdoslav, in which natural lyricism mingles with love themes and reflexive meditations. The latter are characteristic of most of his verses from the early creative period. …”
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