Music criticism in nineteenth-century England: how did it become a profession? by Paul Watt

“…Of the two-dozen professions that emerged in nineteenth-century Britain, such as medicine, the law and the public service, music criticism was a late developer. This paper examines the social, economic and intellectual factors that led to the establishment of music criticism as a profession and the ways institutions such as the Musical Association and the Musical Times contributed to this process of professionalization. …”
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Reception of Czech and Latvian music by German music critics in Riga in the late 19th and early 20th centuries : some comparative aspects by Baiba Jaunslaviete

“…The paper is searching at least partial answer to this question researching the assessments of the Czech and Latvian music in the Riga German music critic in the late 19th and early 20th century.…”
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August Wilhelm Ambros und Eduard Hanslick in Wien: das Schlusskapitel einer musikästhetischen Kontroverse by Markéta Štědroňská

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Proměny a konstanty Helfertova psaní o Janáčkovi by Miloš Zapletal

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Otakar Šourek – nedoceněná postava českého hudebního života by Kateřina Nová

Subjects: “…music criticism…”
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Dějiny tvoří "ti malí", aneb, Život a dílo Emanuela Ambrose by Milan Balódy

“…From the position of secondary school teacher, popular-educational worker and music critic he educated the widest social classes of population during the era which absented some of today's inherent mass media. …”
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Vplyv a dosah myšlienok Vladimíra Helferta na slovenskú hudbu by Tatiana Škapcová

“…According to Bohumír Štědroň, it is high with a strong impact on the music criticism of that era as suggested by Hrčková or not having a major impact on Slovak musical modernism as argued by Pečman. …”
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Nestor Nyžankivskyj, ukrajinský žák Vítězslava Nováka by Petr Kalina

“…Furthermore, he reflected the local music scene as a music critic. From 1934, he was a head of the Union of Ukrainian Professional Musicians. …”
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