Neue Forschungsansätze über Theaterkultur in österreichischen Prälatenklöstern der Frühen Neuzeit by Alkuin Volker Schachenmayr

Subjects: “…monks and nuns in the performing arts…”
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A – Art, F – Feminism, A Topical Dictionary, Moscow 2015 by Ilmira Bolotyan, E. Susanna Weygandt

Subjects: “…Russia and East Europe, defining gender, feminism, visual art, contemporary performance art…”
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Editor’s Introduction: by E. Susanna Weygandt

Subjects: “…Aleksandra Kollontai; gender, defining gender, sexism, post-Soviet Studies, feminism, visual art, contemporary Russian art, performance art.…”
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Skladatel Jan Vičar a analýza jeho folklorního triptychu pro smíšený sbor na české, moravské a slezské lidové texty Široko daleko by Karel Steinmetz

“…In preparation for the career of a composer, he continued studying composition at the Janáček Academy of Performing Arts in Brno (with Zdeněk Zouhar, 1976–1978), and at the Academy of Performing Arts in Prague (with Jiří Dvořáček, 1979–1981), which was followed by a post-graduate course in music theory with Karel Risinger (1981–1983). …”
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Hudební věda v Brně po roce 1989 by Petr Macek

“…The paper examines the situation and scholarly activities of Brno musicology in the last 25 years, follows musicological institutions at universities, especially the Institute od Musicology, Faculty of Arts, Masaryk University, but also the Faculty of Music at the Janáček Academy of Music and Performing Arts and the Faculty of Education at the Masaryk University and summarizes the activities of other significant scholarly, research and documentary institutions (the Brno branch of the The Institute of Ethnology of the Academy of Sciences of the Czech Republic, Department of the History of Music of the Moravian Museum). …”
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Co může slyšet naše ucho? by Jiří Kopecký

“…This feature is one of the main goal of the project "Different Hearing", which since 2001 has been developed by the Department of the Music Education of the Faculty of Education of Palacký University in Olomouc in cooperation with the Faculty of Music of the Janáček Academy of Music and Performing Arts in Brno.…”
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Smyčcové kvartety Miloslava Ištvana: prezentace výsledků výzkumu by Štěpán Filípek, Michal Indrák

“…The topic of the paper is devoted to the research, which took place in 2010-2011 in the framework of the specific research on Janáček Academy of Music and Performing Arts. The research was focused on four Miloslav Ištvan's compositions for string quartet, which are especially remarkable by the fact, that these works virtually extend to all the creative periods of this remarkable composer and in this sense are mapping his overall compositional development. …”
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Disrupted Dwelling: Forensic Aesthetics and the Visibility of Violence by Martin Charvát

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Činnost sdružení Camerata Brno v závěrečné fázi jeho existence by Jindřiška Bártová

“…Its activities are treated by the writer of the present paper in the book Camerata Brno which was published at the Janáček Academy of Music and Performing Arts in 2003 in Czech and a year later in an updated version in German. …”
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Teorie a dějiny hudby na JAMU v prvních letech její existence by Jindřiška Bártová

“…The Janáček Academy of Music and Performing Arts (commonly known as JAMU) was established in 1947. …”
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K Husově komponování s dvanáctitónovou řadou by Jiří Vysloužil

“…Before that, during his studies at the Prague Conservatoire and at the Academy of Performing Arts in Prague (1942-1947), the music by Schoenberg and his pupils was hardly heard anywhere. …”
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Relationships between Flow Experience, Life Meaningfulness and Subjective Well-being in Music Students by Martin Sedlár

“…The research sample consisted of 96 university music students (37 males, 59 females) from the Music and Dance Faculty, Academy of Performing Arts in Bratislava, Slovakia. Dispositional Flow Scale-2, which measures nine dimension of flow, was used for measuring frequency of flow experience. …”
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Transfiguration, Art, Pathicity. Somaesthetics Reconsidered by Alessandro Nannini

“…From Hip Hop Philosophy to Politics and Performance Art (2022). I will articulate my reflections around three main themes, which intersect the theme of several of the essays of the volume: I will first of all consider the concept of transfiguration, commenting upon the difference between Danto’s hermeneuticist perspective and Shusterman’s somaesthetic reinterpretation, with special regard to his performative experiment, the Man in Gold. …”
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When Life is Art and Philosophy: The Case of Richard Shusterman by Lukáš Arthur Švihura

“…Abrams’ proceedings Shusterman’s Somaesthetics: From Hip Hop Philosophy to Politics and Performance Art. Of the diverse range of essays in the proceedings, I concentrate my attention primarily on those aspects of the texts that highlight Richard Shusterman’s practical somaesthetics, and in which their authors focus on the more personal aspects of Shusterman’s philosophical-artistic experimentation, as captured in The Adventures of the Man in Gold: Paths Between Art and Life, A Philosophical Tale. …”
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