PIXE analysis of Late Bronze Age situlae from the eponymous Hajdúböszörmény-Csege-halom I hoard and Sényő-Dajkahegy, Northeastern Hungary by János Gábor Tarbay, János Dani, Mariann Bálint, Zsófia Kertész, Zita Szikszai, Enikő Papp, Balázs Lukács, Anikó Angyal

“… The paper introduces the particle-induced X-ray emission analysis (PIXE) of two Hajdúböszörmény-type situlae from the eponymous Hajdúböszörmény I hoard (collection of the Hungarian National Museum, Budapest) and Sényő (collection of the Jósa András Museum, Nyíregyháza). …”
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Jeszcze o apelatywizacji imienia „Janusz” by Justyna B. Walkowiak

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Mitologizmy grecko-rzymskie w retrokryminałach Marka Krajewskiego – konwencja i inwencja w aspekcie funkcjonalnym by Magdalena Puda-Blokesz

“… The subject to be presented and described in the present paper are word combinations with mythological (Graeco-Roman) origins occurring in eight crime novels penned by Marek Krajewski, taking the shape of: (i) better or less known phrasemes, or conventional petrified multiword units reproduced in a communicative act to express particular intentions and intensions; (ii) phrasematic innovations, or phrasemes modified formally and/or semantically and used against the grain of the phraseological norm; or (iii) literary nonce phrasemes, that is multiword units created ad hoc for the purposes of style and world depiction, containing eponyms and eponymisms of mythological origin which exist in Polish. …”
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Czy Bamberka jest poznanianką? Poznańskość Bambrów w świetle ich antroponimii by Irena Sarnowska-Giefing

“…The subject of the article are the names of women – settlers from Bamberg who had lived in the urban villages of Poznań since 1719, and representatives of next generations of Bamberg families. The eponymous Bamberka is treated as an element of the cultural heritage of Poznanians (in both tangible and intangible aspect). …”
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Cross-dressing women in the cinema of the Russian Empire, 1910-1917 by Stasya Korotkova

“…The article devotes special attention to Portret Doriana Greia / The Picture of Dorian Gray (Vsevolod Meyerhold, 1915, Russian Empire), in which the actress Varvara Ianova played the eponymous role. It also traces some of the public discussions on the topic of travesty in Imperial Russian theatrical circles, focusing on a 1905 brochure Pochemu ia igraiu rol’ Orleanskoi Devy / Why I Play the Part of the Maid of Orleans by Boris Glagolin, an innovative theatrical actor and director who indeed portrayed Joan of Arc on stage. …”
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