L'image du bourgeois chez Ionesco by Arzu K. Kunt

Subjects: “…bourgeois…”
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WAITING FOR LEFTY: A SPEARHEADING PLAY OF AGITPROP by Zafer ŞAFAK

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David BROOKS, 2000, Les Bobos, Les bourgeois bohèmes , trad. par M. Thirioux et A. Nabet, Paris, Florent Massot, coll. Le livre de poche, 314 p. by Anne Clerval

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The colbertism in the comedies of Molière by Boštjan Marko Turk

Subjects: “…Molière, comedy, mercantilism, bourgeois, comical, Henri Bergson, monomania, mechanic, living creature’s organic movement, rhetorical figure…”
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Projet Ra&D à l'Ecole d'Ingénieurs et d'Architectes de Fribourg Développement d'un Nouvel Agent Anti-SIDA: NU 1320 by Martine Poffet, Jean-Marc Bourgeois

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Inhibitors of Plasmepsin II – Potential Antimalarial Agents by Christoph Boss, Reto Brun, Walter Fischli, Christoph Binkert, Solange Meyer, Lars Prade, Luke Harris, Lionel Coppex, Corinna Grisostomi, Olivier Corminboeuf, Jean-Marc Bourgeois, Rocco Furnari, Sylvia Richard-Bildstein, Thomas Weller

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Integrin alpha 6 homozygous splice-site mutation causes a new form of junctional epidermolysis bullosa in Charolais cattle by Mekki Boussaha, Arnaud Boulling, Valérie Wolgust, Lorraine Bourgeois-Brunel, Pauline Michot, Cécile Grohs, Nicolas Gaiani, Pierre-Yves Grivaud, Hélène Leclerc, Coralie Danchin-Burge, Marthe Vilotte, Julie Rivière, Didier Boichard, Jean-Marie Gourreau, Aurélien Capitan

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In the Artist's Studio with L'Illustration by Esner, Rachel

“…An in-depth examination of both the texts and images reveals the verbal and visual tropes used to characterize the artists and their spaces, linking these to broader notions of "the artist" – his moral characteristics, behaviors, and artistic practice – as well as to the politics of the art world and the (bourgeois) ideology of L'Illustration. The aim is to uncover not only the language but also the mechanics of the "mediatization" of the image of the artist in this crucial period.…”
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Beethoven und der Fortschrittsgedanke by Helmut Loos

“…The bourgeois/middle-class Modernity chose music for its art-as-religion and made Beethoven the key figure of its ideals. …”
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Composition as Reception: An English Version of Classics by Christopher Stray

“…This new kind of ‘composition’ became popular in the reformed boarding (‘public’) schools and in the ancient universities; its social foundations lay in the new bourgeois groups thrown up by the industrial revolution, its cultural founda­tions in the rise of romantic Hellenism. …”
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The romantic concept of love by Irma Gleiss

“…On the contrary it concerns a kind of love, which can only function in an anti-bourgeois life, which first of all can be found in artistic freedom – a kind of love, which does not support adaptation, but is essential part of self-fulfilment and escape from alienation.…”
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Laibacher Deutscher after the Congress of Laibach by Lidija Podlesnik Tomášiková, Marko Motnik, Marjana Benčina

“…Behind the scenes of the Congress of Laibach (modern day Ljubljana), a dance form called Deutscher came into existence and for a decade remained, in a specific local version, the most popular dance of bourgeois circles. This paper sheds light on the phenomenon of the Laibacher Deutscher within a broad social and cultural context and political background.…”
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Rome in the North by Hans Kloft

“…The city gates referred to Roman bourgeois virtues. Local historians found a Roman origin in the community long before the reign of the Christian bishop. …”
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„Żadnej okazji nie opuszczę, abym do Was pisać nie miał” – korespondencja prywatna pisarza miejskiego lwowskiego Wojciecha Zimnickiego z lat 1618–1639 by Bohdana Petryshak

“…On a basis of this kind of sources it is possible to picture an image of an official of those times: a city clerk, a head of secretariat, bourgeois and a member of judicial board, and also a father and a husband. …”
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From the History of Military Music in the Austro-Hungarian Monarchy by Lada Duraković, Marijana Kokanović Marković

“…It was in Pula that he composed most of his pieces tailored for military orchestras, opera stages and bourgeois salons. During his bandmaster term, the Navy Orchestra performed some of the most significant orchestral pieces from the symphonic repertoire.…”
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«Machen Sie mich nicht reich. Geben Sie mir nur so viel, als man braucht, wenn man nicht gehorchen, und nicht befehlen will». Strategie del possesso nella «Betschwester» di Christi... by Maurizio Pirro

“…The aim of self-affirmation through wealth is coherent with bourgeois dynamism. The consequent exposure to the loss of a moral compass, however, corresponds to a drainage of the vital force which impels the logic of wish. …”
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A Comment on a Recent Work by Heinz Steinert on Max Weber by Sandro Segre

“…Finally, Steinert’s contention that there was a bourgeois cultural hegemony in Fin-de-siècle Vienna is shown to be untenable.…”
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Lust, tranquillity and sensuality in French spa towns in the heyday of balneotherapy (the belle époque and the roaring twenties) by Marie-Eve Férérol

“…One was the expansion in bourgeois morality, and the other was the uncertain future at the turn of the 20th century (the advancing tide of modernity, presages of the 1st World War, etc.). …”
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ANDROGYNOUS TRAVEL FROM MIRE TO VIS by Sanja Knežević

“…That is the artist who could not cope with narrow-minded petty-bourgeois society which was being made for centuries by the “male” enlightening culture. …”
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Henrik Ibsen auf der Vorstadtbühne. Carl Henop-Hauswirths Parodie von «Klein Eyolf» im Spiegel der sozialen Raumsemantik Wiens<br><i>[Henrik Ibsen on the popular stage. Carl Henop-... by Cornelius Mitterer

“…Henrik Ibsen’s naturalistic drama Klein Eyolf (1894) was successfully performed at prestigious theatres in London, Berlin and Vienna, a fact which emphasises the establishment of Naturalism in bourgeois high culture. Carl Henop-Hauswirth’s German parody of Ibsen’s play, entitled Klein-Schreyolf (1895), was performed at one of the many popular theatres in the Viennese suburbs only a few weeks after the premiere. …”
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