Problems of Archiving Oral History Interviews. The Example of the Archive "German Memory" by Almut Leh

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Le marketing social face à l’influence des télénovelas sur le comportement socio-culturel de la population ivoirienne by Amoin Liliane KOUASSI

“…Ainsi, nous avons proposé comme solution pour combattre le problème le marketing social.…”
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لمحة عن البدايات الأولى للدبلجة by سعاد قرقابو

“…As people demanded films in their language, translation was mandatory. …”
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“Corpus Christi, Corpus Delicti”: A New Narrative Contract: Władysław Pasikowski’s “Aftermath” (2012) and the Invalidation of the Category of the Polish Witness to the Holocaust... by Elżbieta Janicka

“…A study of the reception of Aftermath is a study of class distinction in action. Pasikowski’s film portrays antisemitism as a problem of an antisemitic culture and an antisemitic society. …”
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Politics and perversion (Pier Paolo Pasolini’s de Sade today) by Aronson Oleg

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Kiev of the Soviet-Era from Parajanov’s point of view: “Kiev Frescoes” by Tigran Simyan

“…Examination of the screenplay reveals that Parajanov was preparing to create a Soviet film thematically, and a modernist one by means of visualization. …”
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Mr. Robot: Schizophrenia, Paranoia and Corporate Greed by jan jagodzinski

“…A comparison is made with the film «Kein System ist Sicher», which raises similar social issues through its narrative. …”
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Obraz pandemii w polskich i rosyjskich połączeniach wyrazowych by Katarzyna Kuligowska

“…New Polish and Russian collocations present different problems of the pandemic crisis and the diverse attitude of individuals and social groups to its threat to public health and the measures taken by governments and international institutions. …”
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Embodying Metaverse as artificial life: At the intersection of media and 4E cognition theories by Uspenski Ivana, Guga Jelena

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Centennial reflections on Steinbeck's reputation in Slovenia by Danica Čerče

“…In the wake of the novels with the sweeping reach and social consciousness of In Dubious Battle (1936), Of Mice and Men (1937), and The Grapes of Wrath (1939), and despite the prodigious and startlingly diverse output of his career, Steinbeck was generally regarded as one of America's foremost engaged artists. …”
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Models of stereotypizaton of national characteristics, gender roles and behavioral scenarios in series by Олена Росінська

“…The series as a subject of research is an area for generating and demonstrating stereotypes, especially if it is a serial product filmed for a domestic audience, and not for a wide range of viewers from other countries. …”
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