Showing 1 - 6 results of 6 for search '"digital image"', query time: 0.07s Refine Results
  1. 1

    Cinéma, peinture et numérique : hybridité de l’image chez Peter Greenaway by Fabien Maheu

    “…Aesthetic and technical approach of digital image making and its influence on cinema in Peter Greenaway’s films.…”
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  2. 2

    Prolifération de Cissus quadrangularis L. dans le Parc National des Iles-de-la-Madeleine, Sénégal by Ephrem Nzengue, Bienvenu Sambou, Abou Thiam, Kandioura Noba, Yacinthe Sambou, Jacques François Mavoungou

    Published 2016-04-01
    “…The phytosociological surveys highlighted eight plant communities. From digital image (Quickbird) of 1 meter resolution, the main facies of occupancy were mapped and the areas occupied by C. quadrangularis were estimated. …”
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  3. 3

    Vilém Flusser : au croisement de l’image technique et de la mode by Luciana Nacif

    “…Moreover, the digital image is only partially an image in the classical sense : it has also become an element of data flow on the network, and its “invisible” aspects have caused profound ontological changes. …”
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  4. 4

    Imagerie numérique et représentation des données en archéologie by Sylvie Eusèbe

    Published 2019-05-01
    “…The way data is captured and the way digital images are produced have an equally visible impact on archaeological images. …”
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  5. 5

    Le numérique au service de l’exceptionnel à la bibliothèque du Service historique de la Défense : le rouleau de l’ordre de bataille de Vélez-Málaga by Constance de Courrèges d’Agnos, Jean-François Dubos, Sylvie Legrosse

    Published 2020-06-01
    “…This 18th century manuscript, The Order of the Battle of Malaga roll (c. 1715-1720) was rapidly digitized for both mediation and conservation purposes. Digital imaging then emerged as an interesting way of mediation, offering a real scientific and pedagogic added value to such a document. …”
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  6. 6

    Œil pour œil : l’art contre la technopolice by Jean-Paul Fourmentraux

    “…In the light of Vilem Flusser’s theories, we analyze the ambivalence of digital images in the age of facial recognition or artificial intelligence, their socio-technical determinisms, as well as the conditions and modalities of their possible reversal (or detour of their devices) through artistic ruse. …”
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