Filmer l’ambiance urbaine : Les dispositifs vidéographiques à l’œuvre chez William H. Whyte dans La vie sociale des petits espaces urbains by Laure Brayer

Subjects: Get full text

Du placard aux réseaux sociaux numériques : circulation de la mémoire d’une scène by Sylvain Martet

“…Inspired by work on music and cultural scenes (Straw, 1991 ; Lussier, 2008), we propose to study the interactions surrounding the posting of concert videos of the Montreal hardcore scene by Andy Chico Mak who was heavily involved as a videographer. From 1997 to 2006, he filmed the majority of concerts in and around Montreal, amassing hundreds of video documents that he gradually shares via an Instagram account and a YouTube channel. …”
Get full text

L’incontrôlable besoin de contrôle by Claire Balleys

“…In a conversational mode, the young videographers film themselves, in their domestic spaces, addressing an audience of female peers. …”
Get full text

Une constellation invisibilisée by Marie-Dominique Gil

“…If she has remained famous for her literary work, her artistic practice and correlatively the transmission strategies that she organized specifically for young women sculptors, painters or even videographers have remained in the shadows. For Kate Millett, the film Three Lives (1971), directed by an exclusively female team, constitutes the concrete application of a feminist teaching of the cinematographic arts. …”
Get full text