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    Transmodern dance practices: Angelin Preljocaj, Mauro Bigonzetti and revisions of Les Noces (1923) por Farrugia, Kathrina

    Publicado em 2012
    “…In this thesis, I examine the current state of choreographic postmodernism in the wake of recent theories of transmodernism in film and literature studies. Moving from an analysis of revisionist choreographic practices, my aim is to retrace the unwritten histories of particular revisions of Bronislava Nijinska's Les Noces (1923), namely those by Angelin Preljocaj and Mauro Bigonzetti. …”
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