Showing 1 - 5 results of 5 for search '"1997 in music"', query time: 0.21s Refine Results
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    “Dog boy, media whore. It’s who the hell you take me for” by Tessa Vannieuwenhuyze

    Published 2022-04-01
    “…A close re-reading of a selection of 1997-1999 music magazine articles in the Placebo Russia archive not only shows how Molko’s music magazine persona curates identity markers of extraordinariness as ordinary, but also demonstrates how the media texts that go into a persona continually perform these anew. …”
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    Article
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    The effects of music-induced emotions on English-Chinese bilinguals' resolution of standing ambiguity. by Ho, Sher Min.

    Published 2012
    “…Since music is proven to have an effect on its listeners’ emotions, whether directly or indirectly (Trainor, 2003; Levinson, 1997), sad music is used to induce sad emotional cues for the context of reading the sentences. 27 English-Chinese bilinguals in Singapore participated in two experiments, 9 in Experiment 1 and the other 18 in Experiment 2. …”
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    Final Year Project (FYP)
  4. 4

    The effects of music-induced emotions on English-Chinese bilinguals' resolution of standing ambiguity by Ho, Sher Min

    Published 2012
    “…Since music is proven to have an effect on its listeners’ emotions, whether directly or indirectly (Trainor, 2003; Levinson, 1997), sad music is used to induce sad emotional cues for the context of reading the sentences. 27 English-Chinese bilinguals in Singapore participated in two experiments, 9 in Experiment 1 and the other 18 in Experiment 2. …”
    Get full text
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    Final Year Project (FYP)
  5. 5

    Towards a Historical Be(com)ing into Universal Benevolence: Anastasia and Geopolitical Reconfigurations in Late Modernity by Grajdian Maria

    Published 2023-12-01
    “…Focusing on two iterations of the Anastasia topos – the 1997 animated musical movie produced and released by Fox Animation Studios and Takarazuka Revue’s Japanese theatrical musical live performance from 2020 –, this article analyzes the significance and impact of historical events and their dialectic renegotiation by means of mass entertainment in crosscultural cross-media perspective. …”
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    Article