Texts of Light and Shadow: Dickens and Lautréamont in Alejandra Pizarnik's Sombra Poems by Beth Zeiss

“…Pizarnik uses short passages from Charles Dickens' A Christmas Carol (1843) as hypotexts for the hypertexts of her Sombra poems. …”
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A Relevance-Theoretic Approach To The Analysis Of Phonesthemes In Selected English Novels And Their Translation Into Persian by Tirani, Mohammad Jamshid

“…The data of this study are collected from three novels of Charles Dickens namely ‘A Christmas Carol’, ‘Great Expectations’, and ‘Oliver Twist’. …”
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Charleso Dickenso kūrybos recepcija Lietuvoje: sceninės adaptacijos ir kritikų vertinimas (II dalis). The Lithuanian Reception of Charles Dickens: Theatrical Adaptations and Critic... by Regina Rudaitytė

“…For general readers and theatre audiences Dickens became the most famous, the most representative and the most popular English writer, regarded as an iconic figure in English literature, in stature competing only with Shakespeare.The first theatre production of Dickens’s work in Lithuania was A Christmas Carol; it was put on stage by the famous director Antanas Sutkus in 1927. …”
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APPLICABILITY OF HAUNTOLOGY TO THE STUDY OF THE ORIGINS OF SCREEN ARTS / ПРИМЕНИМОСТЬ ХОНТОЛОГИИ К ИССЛЕДОВАНИЮ ПРОИСХОЖДЕНИЯ ЭКРАННЫХ ИСКУССТВ... by MARKOV ALEXANDER V. / МАРКОВ А.В.

“…It is pointed out that a number of literary experiments of the Victorian era require a screen medium as a basis for understanding the independent sequence of events, from the plot of internal psychological transformation in Dickens’s A Christmas Carol to the “unreliable storyteller” technique in Henry James’s The Turn of the Screw. …”
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