Feminism in Heneric Ibsen’s A Dolls' House by Assist. Inst. Halima Ismail Radam

“…      This paper investigates the role of women and their right in Henrik Ibsen's A Doll's House (1879). Ibsen, one of the world's greatest dramatists, is considered as the father of modern drama, and as one of the great supporters of women. …”
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Translation as intervention: Sambhu Mitra's Putul Khela (A doll's house) by Ahmed Ahsanuzzaman

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The Former Miss Barstow with every Tom, Dick and Harry in a doll's house by Richard Newton

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LIVING IN A DOLL HOUSE: A CASE REPORT AND LITERATURE REVIEW OF REDUPLICATIVE PARAMNESIA by J. M. Pinto, I. Faria, C. P. Gouveia, J. Andrade

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Literary Works Empowering Social Movements: A Doll's House & Bumi Manusia Analysis in Norwegian-Indonesian Feminism by R. Hariyani Susanti

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Critical discourse analysis and translation: a comparative study of discourse and ideology in translated versions of Ibsen's A doll's house by Anna Tso Wing-bo, Scarlet Lee

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Nora’s Ironic Longing for Christlike Love: Self-Sacrifice, Self-Love, and the “Religion of Torvald” in Ibsen’s <i>A Doll House</i> by David V. Urban

“…This essay argues that in Ibsen’s <i>A Doll House</i>, both Nora and her husband, Torvald Helmer, exhibit a “religion of Torvald” characterized by their respective devotion to Torvald himself. …”
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Ibsen and Peking Women's High Normal University by Sun Jian

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Luto e identificação: a propósito de a casa de boneca, de Henrik Ibsen Mourning and identification: in a doll's house of Henrik Ibsen by Anne Hage

“…Our study takes the H. Ibsen drama, A Doll's House, as an object. The analyses lead us to articulate and question the identification following a loss regarding notions of narration, temporalness, idealization and debt.…”
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"The merits and demerits of Ibsen's great play": the reception of the Novelty Theatre Company matinée performance A doll's house, Theatre Royal, Brighton England, June 20th 1889 by Jill Farleigh Wolfe

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Braunschweig, "L’anitra selvatica" di Ibsen by Roberto Alonge

“…A further test of maturity of the director, after the diptych of 2009, A Doll House/Rosmersholm, of which Braunschweig reproduces two main features: the great scenographic inventiveness, and the use of an ambiguous acting, capable of arousing laughter from the audience.…”
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IMPLEMENTASI ARDUINO NANO DAN REED SWITCH UNTUK PERMAINAN EDUKASI HAFALAN DOA ANAK USIA DINI by Vivianti Vivianti, Dwi Ratnawati

“…The final product is a doll house educational game kit that is integrated with Arduino nano and Reed switch. …”
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The Portrayal of Women in Henrik Ibsen’s A Doll’s House by Dr. Ahmed Saeed Ahmed Mocbil

“…This research investigates the portrayal of women characters in Henrik Ibsen's play, A Doll's House. Ibsen is the father of modern theater and often advocates for social issues in his plays. …”
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Ibsen in Iranian Cinema: A Comparative Analysis of A Doll’s House and Mehrjuei’s Sara by Roohollah Roozbeh

“…In order for Ibsen’s A Doll's House to become believable for the Iranian viewer, and to be in accord with the context of Iran, it is inevitably involved in the process of Iranization and the adapter must insert the ideological mechanisms of society and social-cultural discourses in the spirit of the work. …”
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Ibsen in Dutch theatres and the sustainability of Nora by Janke Klok

“…Research into the reception of Ibsen supports the claim by the Dutch author Ina Boudier-Bakker (1875-1966) who used the late first staging of Ibsen's A Doll's House (1889) to illustrate the Amsterdam and Dutch conservatism with regard to gender roles and avant-garde art. …”
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Eine alltägliche Tätigkeit: performing the everyday in the avant-garde theatre scene of late nineteenth-century Berlin by Schor, R

“…Through this framework, Ibsen's social dramas from A Doll's House to Hedda Gabler (Chapter 3) can be seen perfectly to exemplify this shift in perspective from the 1880s through the 1890s, revealing the complexity of truthfulness in communications. …”

Do Respectable Ladies Buzz, Grumble or Hum by Marija Zlatnar Moe

“… Et dukkehjem (A Dolls’ House) by Henrik Ibsen is one of the most central texts of world theatre and literature, but at the same time, it is also a text written by an author coming from a relatively peripheral source language and culture. …”
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