Gender in Lorraine Hansberry's A Raisin in the Sun / by Wiener, Gary, editor 652237, Gale Group (Online service) 651863

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The ousing problem of the African Americans :: As Reflected in Hansberry's a raisin in the Sun by , PURWATI, , Drs. A. Wirono

From Power-over to Power-to: Power Relations of Women in Hansberry's "A Raisin in the Sun" by José Roberto Saravia Vargas

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From Power-over to Power-to: Power Relations of Women in Hansberry's <i>A Raisin in the Sun</i> by José Roberto Saravia Vargas

“…No obstante, un análisis de las relaciones de poder de las tres mujeres en A Raisin in the Sun, de Lorraine Hansberry, basado en el pensamiento de Derrida, muestra que dichas nociones no toman en cuenta el dinamismo ni la complejidad en las relaciones de poder y sugiere el establecimiento de una nueva idea de poder: el poder transformativo.…”
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UNGKAPAN KEMARAHAN ORANG AMERIKA (STUDI KASUS DALAM FILM A RAISIN IN THE SUN DAN THE HELP) by , Siska Anggraeni, , Dr. Aris Munandar, M.Hum.

“…This research entitles Americanâ��s Anger Expression (A Case Study in A Raisin in the Sun and The Help). Those two films were chosen because they represent the society in the United States in 1960s. …”

A dream deferred of African American education :: A semiotic study on Hansberrys a raisin in the sun by , PODUNGGE, Rusni, , Prof. Dr. C. Soebakdi Soemanto, S.U

The Afrocentric Idea As A Tool For A Harmonious Development: A Reading Of Lorraine Hansberry’s A Raisin In The Sun by Manzama-Esso THON ACOHIN

“…This paper explores the premises of the Afrocentric idea as a tool for a harmonious development in Lorraine Hansberry’s A Raisin in the Sun. Through a postcolonial approach, the paper suggests a returning back to African cultural values and a joint commitment of all the communities of the African descent for a harmonious development. …”
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Tradução: mais que um processo entre línguas, uma ponte para transmissão de capital cultural by Marcela Iochem Valente

“…À luz de teorias como as de Bassnett, Apter e Hall, serão analisados alguns fragmentos das obras The Bluest Eye, The Color Purple, e A Raisin in the Sun a fim de mostrar a importância da Tradução Intercultural no cenário acadêmico atual e a necessidade da conscientização de pesquisadores e profissionais dessas áreas que possuem constantes pontos de interseção.…”
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City Limits by Alice Bilger

“…The focus is on American urban epicentres, and by analysing two literary works, John Fante’s Los Angeles novel Ask the Dust and Lorraine Hansberry’s Chicago play A Raisin in the Sun, it interrogates what form the walls within those spaces might take, why they are raised, and what effects they have on the city’s inhabitants – especially the marginalised groups who tend to be either excluded, restricted or enclosed by them. …”
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<b>Black women’s ‘two-ness’ in african-american literature: can black and white worlds join together?</b> - DOI: 10.4025/actascilangcult.v32i1.4767 by José Endoença Martins

“…In Toni Morrison’s (1970) The Bluest Eye, Pecola Breedlove keeps contact with the white world through her assimilationist behavior; in Alice Walker’s (1982) The Color Purple, Celie freezes herself in the black world by playing the role of the nationalist Negro; finally, in Lorraine Hansberry’s (1987) A Raisin in the Sun, Mama Younger joins black and white worlds together when she develops a catalyst agenda, as she moves to a white neighborhood.…”
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Christianity’s Last Stand: Visions of Spirituality in Post-1970 African American Women’s Literature by Trudier Harris

“…Lorraine Hansberry’s Beneatha Younger in <i>A Raisin in the Sun</i> (1959) initiated a questioning mode in relation to Christianity that continues into the present day. …”
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Black women’s ‘two-ness’ in african-american literature: can black and white worlds join together? = A dualidade de mulheres negras na literatura afro-americana: os mundos negro e... by José Endoença Martins

“…In Toni Morrison’s (1970) The Bluest Eye, Pecola Breedlove keeps contact with the white world through her assimilationist behavior; in Alice Walker’s (1982) The Color Purple, Celie freezes herself in the black world by playing the role of the nationalist Negro; finally, in Lorraine Hansberry’s (1987) A Raisin in the Sun, Mama Younger joins black and white worlds together when she develops a catalyst agenda, as she moves to a white neighborhood.…”
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The quest for identity of African American women from 1939 to 2000 in postmodern American Drama by Obaid, Ismael Hasan

“…The study used four Postmodern American plays which were; Lorraine Hansberry's “A Raisin in The Sun”, 1959, Adrienne Kennedy's “The Funnyhouse of a Negro”, 1964, Ntozake Shange's “For Colored Girls Who Have Considered Suicide /When the Rainbow is Enuf”,1976, and finally, Suzan-Lori Parks' “In the Blood”, 1999. …”
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