Lacanian Dream and Desire in A Streetcar Named Desire by Parvin Ghasemi, Samira Sasani, Mehdi Abbasi Rami

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Truth and illusion in Tennessee Williams' "A Streetcar named desire" by Andrea Gencheva

Subjects: “…a streetcar named desire…”
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An Althusserian Study of A Streetcar Named Desire: An Ideological Entanglement by Samira Sasani, Hamid Reza Pilevar

“…In Tennessee Williams’ A Streetcar Named Desire (1947), this struggle and clash of ideologies are embodied in the characters of Stanley and Blanche who are regarded as a threat to the dominant ideology. …”
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Women Language Features in Tennessee Williams’ A Streetcar Named Desire by Iga Rahadiyanti

“…The purpose of this study is to observe the types of women language features and the most frequent women language feature used by the main women characters in the dialogue of Tennessee Williams’ A Streetcar Named Desire play. Ten women language features proposed by Robin Lakoff is used to analyze the data. …”
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Social changes in the South in Tennesse Williams's :: A streetcar named desire by , NASUTION, Siti Norma, , Dr. Djuhertati Imam Muhni, MA

Tennessee Williams : A Streetcar Named Desire. Une lecture nommée désir by Suzanne FRAYSSE

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Music Becomes Emotions: The Musical Score in Two Productions of A Streetcar Named Desire by Tomaž Onič

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Unveiling Societal Discord: An Analysis of Contemporary American Drama through "A Streetcar Named Desire" by Dr.Haider Ibrahim Khalil

Subjects: “…Unveiling, Societal Discord, Contemporary, American Drama, A Streetcar Named Desire…”
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Bahram Tavakoli’s the Stranger as a transcultural movie adaptation of Tennessee Williams’s A Streetcar Named Desire by Puria Gholami, Alireza Farahbakhsh

“…In this reading of A Streetcar Named Desire and its movie adaptation, The Stranger, the central questions are: What changes did Tavakoli make to Williams’s play regarding indigenization? …”
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Tennessee Williams, Iranian Cinema, and Bakhtinian Dialogism: A Comparative Study of A Streetcar Named Desire and Biganeh by Afsaneh Asghari astaneh, Behzad Pourgharib, Abdolbaghi Rezaei talar poshti

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Desire for the other and the Iterable Identity in the Social Context: A Postmodern Reading of Tennessee Williams’ A Streetcar Named Desire by Hooti Noorbakhsh, Salehi Ali

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Blanche and Stanley, polar opposites. A pragmastylistic analysis of interactions from Tennessee Williams’ A Streetcar Named Desire by Joanna Bobin

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Analysis of Female Characterization in Three Modern Dramas (A streetcar Named Desire and Ghosts and They are a live ) by Simon de Beauvoir by Zahra Ghiasian, Saeed Shapouri

“…In this study, we endeavored to explain a woman’s social role from the Simon de Beauvoir’s viewpoint using three contemporary dramas: “a streetcar named desire” by Tennessee Williams; “they are alive” by Athol Fugard; and “ghosts” by Henrik Ibsen. …”
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An Examination of Lexical Choices in Slovene Translations of British and American Drama by Darja Hribar

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A PEÇA A STREETCAR NAMED DESIRE EM TRADUÇÃO PARA O PORTUGUÊS DO BRASIL: ÍNDICES MORFOLÓGICOS E DISCURSO DE ACOMPANHAMENTO by Guilherme Pereira Rodrigues Borges

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Philip C. Kolin. Williams : A Streetcar Named Desire. Stephen J. Bottoms. Albee : Who’s Afraid of Virginia Woolf ?... by Liliane Kerjan

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Blue Blanche & Jeanette zvana Jasmine: Jasmine French – pastiš Woodyja Allena by Predrag Mirčetić

“…At the end of the paper, the author draws attention to the name of Woody Allen’s protagonist as proof that Blue Jasmine should be interpreted not as a parody but rather a pastiche of A Streetcar Named Desire.Keywords: A Streetcar Named Desire, Blue Jasmine, Tennessee Williams, Woody Allen, pastiche…”
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La phonologie des exclamations en anglais by Stephan Wilhelm

“…Based on a corpus made up of recordings from Tennessee Williams’s play, A Streetcar Named Desire, this article investigates the phonology of exclamative utterances. …”
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Ten et Tru sur Bourbon Street by Liliane KERJAN

“…Williams sets short stories and such plays as A Streetcar Named Desire, Suddenly Last Summer, Vieux Carré in different parts of the city, whereas Truman Capote plays with the souvenirs of its secret angels and hidden gardens.New Orleans is their poem.…”
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Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams by Sophie Maruéjouls-Koch

“…The examination of his most famous play – A Streetcar Named Desire – reveals the influence of Cocteau and Eisenstein’s films and theories, giving us a new insight into Williams’s creative process.…”
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