MUSIC QUOTATION IN CONTEMPORARY NON-ACADEMIC ART: ASPECTS OF GENRE AND STYLE TRANSFORMATION by Violetta ARTEMENKO

“…In contemporary non-academic art, the established semantics of the original source is subject to change under the influence of a new creative rethinking, the possibilities of which are only increasing in the context of the technologies of the twenty-first century. …”
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THE ACADEMIC ART TRAINING IN TIMISOARA – CHRONOLOGY, CULTURAL AND ARTISTIC DIMENSIONS. CREATIVITY AN ITERATIVE PROCESS by CONSTANTIN, DANIELA

“…There is a specific culture for scientific research and artistic creation in the art education in Timişoara, aiming toM highlight the results of artistic creation and research through constant presentation in the academic art environment.…”
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Activities of the Representative of the Drohobyсh Music­Pedagogical School of Vladimir Salii in the Context of the Modern Academic Art: Knowledge the Scientific and Composer Aspects by N. Z. Storonska

“…Composer music is heard from the stage during various thematic and reporting concerts, competitions and artistic events, which in turn contributes to the development and popularization of academic art in the socio-cultural space of today. Novelty. …”
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THE INFLUENCE OF WESTERN EUROPEAN AND RUSSIAN ACADEMIC ART ON THE CREATION OF CHURCH COMPLEXES IN NIZHNY TAGIL IN THE LATE 18TH– SECOND THIRD OF THE 19TH CENTURY by Ilyichev Denis V.

“…The author performs the attribution of some of the artworks displayed at the exhibition and pointing to the influence of academic art on icon images, in particular works by 16th-17th century European artists and several Russian painters which were employed in referencing and copying by icon painters. …”
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From Lenin to John Paul II: The State of Research on the Work of Marian Konieczny and a Few Remarks Upon His Religious Sculptures by Lechosław Lameński

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Le mouvement ouvrier dans l’art académique espagnol : une légitimité politique contrariée by Stéphanie Demange

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A Memorial by Cyprian Godebski over the Ocean, a Swan Song of Academic Religious Sculpture by Andrzej Pieńkos

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Screenwriting: Between Art and Craft by Patrick Cattrysse

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Christ as Portrayed by Ivan Turgenev (“A Living Relic”, “Alms” and “Christ”), on Mediaeval Russian Icons and Mid-To-Late XIX Century Russian Paintings by Alexander Kopirovsky

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A Cosmopolitan Ambition: La Regeneración and the French Academic Nude in 19th-Century Colombia by Maya Jiménez

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Мир графики Дагдангийна Амгалана by Сарантуяа, Б.

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Coloristic Searches of Modern Russian Artists: The White Colour Palette of the Easel Painting by Maria Pak by Sergeeva Tatiana D.

“…Surikov Moscow State Academic Art Institute, Maria Pak, student of I.L. Lubennikov. …”
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Introduction: Decolonial Processes in Swiss Academia and Cultural Institutions by Fiona Siegenthaler, Marie-laure Allain Bonilla

“…Boaventura de Sousa Santos’s suggestions for decolonising Western universities are juxtaposed with actual decolonial processes taking place in different academic, (art) education and museum settings in Switzerland and abroad, and their political dimensions are scrutinised. …”
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The role of healthcare facilities in the cityscape of post-war Sevastopol by Николай Васильев, Елена Овсянникова

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AWARENESS OF MATERIALITY IN TIME AND CONDITION. THOUGHTS ON THE RELATION BETWEEN ART HISTORY AND CONSERVATION by Andreas Huth, Katharine Stahlbuhk

“…Following this premises and with some examples from current research projects our contribution tries to show how much the contemporary academic Art History can benefit from the material and technical knowledge of conservators.…”
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L’avant-garde, un concept masculin ? by Marie-Josèphe Bonnet

“…One thus needs to reconsider the articulation between the aesthetic and the sociological in order to raise the following questions: how does the avant-garde notion — which relies on the break with the past, with “fathers” and “masters,” with academic art — operate as a new way of marginalizing women at the very moment when they get a new status in society? …”
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Introduction: Historiography of Islamic art and architecture, 2012 by Moya Carey, Margaret S. Graves

“…Barely a century old, academic Islamic art history owes its formation to several disparate ventures: principally, to private and public Western collection facilitated by colonial engagement in the Middle East, and to the emergence of academic art history from primarily German scholarship. …”
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Dans l’ombre de Girardon : sculpteurs champenois sur le chantier versaillais by Alicia Adamczak

“…Nevertheless they were actively engaged with the king, defending the academic art they knew, disseminated through lessons and in other provinces. …”
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Patronage and collecting in the province: an example of the M.F. Konnov Art Gallery in Orenburg by Kober, O.I.

“…The author points out the factors that led to the collection of works by Orenburg artists, who was influenced by the graduates of the Moscow State Academic Art Institute named after V.I. Surikov since the 1960s. …”
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Samtidskunsthistorie? Noter om samtidskunst og kunsthistoriefaget i dag by Malene Vest Hansen

“…Taking as a starting point the case of art history at the University of Copenhagen, Denmark since the 1990s and the author’s experiences through more than three decades working as an art historian and art critic, the article draws on specific case studies of contemporary art projects and the art history journal Periskop to argue that contemporary art has played a key role in changing the traditional academic art historical discipline into a “new art history”. …”
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