Showing 1 - 20 results of 29 for search '"Adolf Loos"', query time: 0.08s Refine Results
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    Adolf Loos and Ornament by Selenay Büyükkök

    Published 2022-05-01
    Subjects: “…adolf loos…”
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    Adolf Loos. Theaters of Joy by Ildebrando Clemente

    Published 2021-05-01
    Subjects: “…adolf loos…”
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    Spatial configuration by rules: an experimental parametric shape rules by shape grammar method by Alva F. P. Sondakh, Aswin Indraprastha

    Published 2023-08-01
    “…We studied the example of Adolf Loos's residential works as our basis for the parametric shape rules and the tool developed in the form of a modular cluster component in the Visual Programming Language Grasshopper in a Rhinoceros 3D modeling software. …”
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    Ornament and Crime : Thoughts on Design and Materials / by Loos, Adolf, 1870-1933, author 547411, Whiteside, Shaun, translator 233843

    Published 2019
    “…Revolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architecture. Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. …”
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    Architettura by Vittorio Savi

    Published 2009-12-01
    “…Forse, al caffè di boulevard Saint-Germain, un pomeriggio imprecisato dei primi anni venti (certo, uno degli avventori, Le Corbusier, ne riferirà alla pag. 174 del suo capitale trattato, Urbanisme, uscito nel 1925). Forse L-C e Adolf Loos siedono al tavolino, l’uno di fronte all’altro. …”
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    O Caráter Destrutivo. de Walter Benjamin by Alberto Carlos Augusto Klein

    Published 2023-06-01
    “… Inspirado na obra do arquiteto arquiteto Adolf Loos (1870-1933), o filósofo e ensaísta alemão Walter Benjamin (1892-1940) publicou em 1931 “O caráter destrutivo”, um pequeno texto em que busca delinear o anseio humano pela destruição. …”
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    Die «unerfüllt gebliebene Sehnsucht» der «Lebenskünstlerin» Lina Loos by Grazia Pulvirenti

    Published 2015-11-01
    “…The role Lina Loos had to play in her artistic milieu involved a permanent struggle between her authentic self and the male-dominated society which obliged her to serve as an inspiring “muse”, first of all for her more famous husband Adolf Loos. This contrast was the object of her play Wie man wird, was man ist. …”
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