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461
Street art as aesthetic protest
Published 2014“…We argue that the excision of Slave Labour provided a ‘gap in the sensible’ (Rancière 2004) and the conditions of possibility for the emergence of a lively local intertextual visual dialogue, which transformed this otherwise apparently unremarkable London side street into an arena for aesthetic protest and critical social commentary.…”
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462
Aesthetic testimony, understanding and virtue
Published 2020“…Though much of what we learn about the world comes from trusting testimony, the status of aesthetic testimony – testimony about aesthetic value – is equivocal. …”
Journal article -
463
Aesthetic feelings in scientific reasoning
Published 2024“…Scientists regularly invoke broadly aesthetic properties like elegance and simplicity when evaluating theories, but why should we expect aesthetic pleasure to signal an epistemic good? …”
Journal article -
464
On the importance of balance to aesthetic plating
Published 2016“…Recently, researchers interested in the aesthetics of food have started to assess people’s overall preferences when it comes to the visual composition of food on the plate, and the impact that this may have on the consumption experience. …”
Journal article -
465
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466
Aesthetics of Trademarks with an Asian Flavour
Published 2024“…Trademarks should be considered not only as an intellectual property right but also as aesthetic creations influenced by various philosophies. …”
Journal article -
467
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468
XI—Moral and aesthetic virtue
Published 2018“…I develop a parallel conception of aesthetic virtue, as an orientation towards aesthetic value and reasons. …”
Journal article -
469
(De)contextualising Buddhist aesthetics
Published 2016“…<p><em>(De)contextualising Buddhist Aesthetics</em> is a practice-led artistic research project focusing on the interchanging transition between Buddhist and artistic practices. …”
Thesis -
470
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471
Interest and aesthetic towards quatrains
Published 2020“…It is hoped that future research will investigate in depth on the aesthetic values of two stanzas of Malay quatrains.…”
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472
Restrictions, Incitements, and Aesthetic Value.The Role of Historical Sciences in Art Production and the Aesthetic Appreciation of Art
Published 2020-04-01Subjects: Get full text
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473
The aesthetics of the experts - On the relationship of observers’ and performers’ expertise when perceiving motion aesthetics in freerunning skills
Published 2022-10-01Subjects: Get full text
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474
CONTENT OF SUBJECTS OF THE AESTHETIC CYCLE OF THE MAIN NEVER AS A MEANS OF AESTHETIC EDUCATION VALUES OF SCHOOLCHILDREN
Published 2002-12-01“… The article pays attention to the artistic education of schoolchildren, by the means of art, as well as to the analysis of subjects of aesthetic cycle. (literature, music, and art). …”
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475
Esteetilise suhtumise mõiste Nõukogude Eesti esteetikas. The Concept of Aesthetic Approach in Soviet Estonian Aesthetics
Published 2011-06-01“…This nostalgic yet analytic article discusses the topic of aesthetic approach in the aesthetic literature of Soviet Estonia (authors Borev, Kagan, Stolovich and others). …”
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476
Aesthetic experience in technology education – the role of aesthetics for learning in lower secondary school robotic programming
Published 2024-02-01Subjects: “…aesthetic experience…”
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477
Does Psychosocial Impact of Dental Aesthetics Questionnaire (PIDAQ) reflect the impact of malocclusion on facial aesthetics?
Published 2023-08-01Subjects: Get full text
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478
A Few Remarks Towards Environmental Aesthetics. Aesthetics of Landscapes and its Impact on Human Emotions
Published 2022-09-01Subjects: “…environmental aesthetics…”
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479
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480
Johann Heinrich Dambeck’s Prague University Lectures on Aesthetics: An Unknown Chapter in the History of Anthropological Aesthetics
Published 2013-11-01“…This article presents a summary of the main views in Dambeck’s lectures on aesthetics on the basis of all known sources and compares the views thus obtained with views developed in German aesthetics in the late eighteenth and the early nineteenth century, with the aim of finding their chief source and reintegrating them both into German aesthetics and, more narrowly, into the aesthetics taught at Prague University. …”
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