Uno, nessuno e centomila dollari. Akira Kurosawa e Sergio Leone by Anton Giulio Mancino

“…In no other case in the history of cinema has the relationship between the original and the remake been so complex and controversial as in “Yojimbo” (1961) by Akira Kurosawa and “Per un pugno di dollari” (1964) by Sergio Leone. …”
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Tiempo y perspectiva en la película Rashomon de Akira Kurosawa. by María del Mar Grandío Pérez

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Macbeth en el castillo de tela de araña. Akira Kurosawa by Raquel Pérez

“… Akira Kurosawa realizó una de las mejores adaptaciones de Macbeth al trasladar la acción original a las tradiciones del Japón feudal. …”
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Ensino de imunologia na educação médica: lições de Akira Kurosawa by Rodrigo Siqueira-Batista, Andréia Patrícia Gomes, Verônica Santos Albuquerque, Rodrigo Madalon-Fraga, Ana Maria Coutinho Aleksandrowicz, Mauro Geller

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„Ran”, czyli Szekspir po japońsku by Krzysztof Loska

Subjects: “…Akira Kurosawa…”
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Wyparte obrazy – odnalezione sensy. O skutkach oglądania dzieła filmowego raz jeszcze by Ryszard Ciarka

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Dersu Uzala: the Objective World of the Film. From the Holdings of the Film Museum by Malaya, E. R.

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The Western as a Genre of Cultural Mobility by Martin Holtz

Subjects: “…Akira Kurosawa…”
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Advanced maternal age induces fetal growth restriction through decreased placental inflammatory cytokine expression and immune cell accumulation in mice by Yoshiki HIRATA, Yusuke KATSUKURA, Yuka HENMI, Ren OZAWA, Sayaka SHIMAZAKI, Akira KUROSAWA, Yasushi TORII, Hironori TAKAHASHI, Hisataka IWATA, Takehito KUWAYAMA, Koumei SHIRASUNA

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Palmitic acid activates NLRP3 inflammasome and induces placental inflammation during pregnancy in mice by Michiya SANO, Sayaka SHIMAZAKI, Yasuaki KANEKO, Tadayoshi KARASAWA, Masafumi TAKAHASHI, Akihide OHKUCHI, Hironori TAKAHASHI, Akira KUROSAWA, Yasushi TORII, Hisataka IWATA, Takehito KUWAYAMA, Koumei SHIRASUNA

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<b>Estudos cronotópicos em narrativas audiovisuais</b> by Egle Müller Spinelli

“…The films Run Lola, Run (Tom Tykwer, 1998), Boca de Ouro (Nelson Pereira dos Santos, 1962) and Rashomon (Akira Kurosawa, 1950) are used here to illustrate the principal chronotopic types established by Bakhtin, namely, adventure, everyday life and autobiography. …”
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Microanálisis fílmico y teoría del cine en la alfabetización audiovisual: estrategias didácticas desde y para la práctica docente universitaria by Rocío Betzabeé González de Arce

“…Las secuencias trabajadas pertenecen a las películas High Anxiety (Mel Brooks, 1977), La diligencia (John Ford, 1939), Los sueños de Akira Kurosawa (episodio "Cuervos", Akira Kurosawa, 1990), La invención de Hugo (Martin Scorsese, 2011) y Super Fantozzi (Neri Parenti, 1986). …”
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De "Dentro do bosque" a Rashomon: história, literatura e cinema by Adriano Luiz Duarte

“…Para isso, parte do filme Rashomon (1951), no qual Akira Kurosawa colocou em diálogo os contos "Dentro do bosque" (1921) e "Rashomon" (1915), de Ryunosuke Akutagawa - inspirados, por sua vez, em duas breves narrativas do século XII, "Sobre o ladrão que vê cadáveres no portal Raseimon" e "Do homem que acompanhava a mulher para a terra de Tanba e foi amarrado na mata de Ooe", compilados sob o título de Konjaku Monogatarishu.…”
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21F.065 / 21F.593 Japanese Literature and Cinema, Spring 2006 by Condry, Ian

“…The directors include Akira Kurosawa and Hiroshi Teshigahara. The authors include Kobo Abe and Yukio Mishima. …”
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DÜNYANIN TEKNOLOJİK VE TOPLUMSAL DÖNÜŞÜMÜ: KUROSAWA'NIN ZAMANA AİT 'DÜŞLER'İ by Meral Seraslan

“…Ortak gelecek hakkında ciddi kaygılar besleyen dünya çapında yönetmenlerden biri de, dünyanın en büyük teknoloji üreticilerinden Japonya'nın yetiştirdiği Akira Kurosawa'dır. Kurosawa özellikle Düşler adlı filmiyle geleceğe yönelik kaygılarını güçlü bir görsellikle ortaya koymuştur. …”
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“Consuming Japan in Cold War America”. A review of Meghan Warner Mettler, How to Reach Japan by Subway: America’s Fascination with Japanese Culture, 1945-1965 (Lincoln, NE: Univers... by Nagahara, Hiromu

“…Mettler starts out by analyzing the critical acclaim that was received by three Japanese films that arrived to American art house theaters during the course of a relatively short period of time: Akira Kurosawa’s Rashomon in 1951, which was followed by the 1954 release of Kenji Mizoguchi’s Ugetsu and Teinosuke Kinugawa’s Gates of Hell. …”
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Visual Complexity in Japanese and European Cinema of the 1950s–1960s: Stylistic and Semantic Similarities and Differences / «Визуальная сложность» в японском и европейском кино 195... by REIFMAN BORIS V. / РЕЙФМАН Б.В.

“…One of the manifestations of visual complexity in the films of Kenji Mizoguchi, YasujiroOzu, early Akira Kurosawa and other Japanese film directors of the ’50s, is that the viewer, experiencing anxiety and disharmony, is forced to build up in his mind an image, that is difficult to identify in the first moments of its screen existence, to regognizable objectivity. …”
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