John Zorn şi „multiversul“ muzicii sale avangardiste by Livia Georgeta Suciu

“…In this context, we focus on the artist John Zorn, given that he challenged all musical conventions and showed us that all boundaries are permeable, dissolvable and can merge. …”
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Musica non grata? Musical motifs and images in the Book of Isaiah by Grzegorz Kubies

“…In the last group I examine three passages where musical instruments form parts of the simile, a figure of speech. All musical motifs and images are presented in broad biblical, theological and cultural contexts. …”
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Hyperscore : a new approach to interactive, computer-generated music by Farbood, Morwaread Mary

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Composer A. A. Egorov in the History of the Musical Culture of Chuvashia by Lyubov I. Bushueva

“…Egorov’s creative style as a whole, but also the masterful use of all musical and expressive resources. Together with other works by A.A. …”
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The genre of nu jazz: defining its characteristics case study: day by jaga jazzist, and shadows by the kilimanjaro darkjazz ensemble / Raja Azwan-Afiq Raja Azlan by Raja Azlan, Raja Azwan-Afiq

“…Musical style such as Industrial and Intelligent Dance Music or IDM in the Electronic Music subcategory, Post Progressive, Technical Metal and even Avant-garde Metal in the Rock subcategory, as well as Trip Hop in the Hip Hop and R&B subcategory are all musical experimentations without clear explanation or extensive study. …”
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Implicarea deconstrucției filosofice în muzica lui John Zorn by Livia Georgeta Suciu

“…John Zorn looks for what is completely different in music, looks for the other beyond all musical styles, in the same way that Derrida looks for the other who escapes to philosophical discourses and languages.…”
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Les conditions sociales de possibilité du « flop » : production, intermédiation et réception by Isabelle Mayaud, Alexandre Robert

“…Her analysis extends to all musical genres and music venues (music bars, concert halls, clubs, squats, etc.), focusing on the work of programmers and on urban transformations related to the location of music venues. …”
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