Touching the Sound, Sounding the Touch. The Tactile Experience in the Music of Santiago Diez-Fischer as a Presentational Symbol by Eric Maestri

“…I make the assumption that all music is presentational; however, such generality must be overcome by a more important requirement. …”
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Visual analysis of music in function of music video by Antal Silard

“…Wide-spread all over the planet, incorporating all music genres, the music video, the subject matter of this analysis, has become irreplaceable in promotions, song presentations, an artist's image, visual aesthetics of subculture; today, most of the countries in the world have a channel devoted to music only, i.e. to music video. …”
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La investigación en Educación Musical en la base de datos ERIC by Galera, María, Pérez, Jesús

“…These articles represent 54% of all music education articles included in this database. …”
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Mental imagery boosts music compositional creativity. by Sarah Shi Hui Wong, Stephen Wee Hun Lim

“…Six expert judges independently rated all music compositions on creativity based on subjective criteria (consensual assessment). …”
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Hybrid Texts, Assembled Bodies: Michel Gondry's Merging of Camera and Dancer in "Let Forever Be" by Addie Tsai

“…Michel Gondry, a filmmaker who created and directed music videos for Propaganda Films, which produced close to a third of all music videos by 1990, began his career in music video and film during this time, where he experimented with collaging postmodern and commercial filmmaking. …”
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MUSIC EXPERIENCES OF TURKISH MIGRANTS: MUSIC SPECIES, MUSIC OCCUPATION AND TRADITIONAL ENTERTAINMENT PLACES by Onur Şenel

“…Within this concept firstly, how music alternatives of Turkish migrants who dont know any kind of music except Turkish folk music before expand to contain all music speciesare examined. Secondly chorus and music courses of cultural associations which are important for maintain and circulation of traditional music species are illustrated. …”
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Research on vocal sounding based on spectrum image analysis by Jian Sun

“…Simultaneously, this study compares the singer’s frequency, pitch, overtones, harmonics, singer formants, etc., and derives the characteristics of vocal vocalization under different conditions, and can be extended to all music vocal studies. Research shows that this research method has certain practicality and can provide theoretical reference for related research.…”
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Ekspressiosta ja taiteen ekspressioteoriasta by Elina Packalén

“…Quite often the topic of these discussions has been the question of on what basis we attribute even to pure instrumental music expressive properties, such as cheerfulness or sadness. After all, music has no states of mind that justify those descriptions. …”
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Magical Music in Old Norse Literature by Britt-Mari Näsström

“…This does not mean that all music in the Viking Age was performed with a magic purpose, but what has survived in the sources is the conspicuous role of music as something that affected the human mind to the extent that it was experienced as a magic feeling, even able to reveal the future.…”
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Piano in the intonation process of tonally unstable and non-tonal melodies in teaching Solfège by Vidicki Elizabeta

“…Since the piano is present in almost all music activities, whether it is used as a primary source of sound, i.e. as a harmonic accompaniment to vocal reproduction, or in any other activity, the use of this musical instrument should be approached with great consideration, and methodologically correct. …”
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"weil es eine der Geheimnisse von Rom" : die Mozarts als verhinderte Überbringer von Allegris Miserere by Thomas Hochradner

“…However, only when soon after 1700 the War of Spanish Succession raged and swapped lots of Italian instrumentalists to the German territories, the Italian orchestra style began to dominate, embracing all music with its very specific characters. Thus the Mozarts, when listening to Allegri's famous Miserere in Rome in 1770, must have felt surprised by its Falsobordone setting. …”
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Gigging on the World Stage: Bossa Nova and Afrobeat after De-reification by Naeem Inayatullah

“…Can we imagine a world stage inviting all music? I explore the astonishing but mostly uncharted flows between and within musical traditions. …”
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Musical Aptitude and foreign language receptive pronunciation by Andrés Pujazón Rodríguez

“…Due to this, it is unclear whether language proficiency is related to all music components (pitch, rhythm, etc.) in the same way. …”
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Dynamic Range Across Music Genres and the Perception of Dynamic Compression in Hearing-Impaired Listeners by Martin Kirchberger, Frank A. Russo

“…By comparison, the dynamic range of speech, based on recordings of monologues in quiet, was larger than the dynamic range of all music genres tested. The perceptual study compared the effect of the prescription rule NAL-NL2 with a semicompressive and a linear scheme. …”
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Microskills Training: A Model for Teaching Verbal Processing Skills in Music Therapy by Lori Fogus Gooding

“…Perhaps most importantly, the model initially focuses on skills needed by all music therapists, regardless of theoretical orientation, and then progresses to skills needed to effectively facilitate common music therapy interventions like song discussion. …”
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As dimensões sociais dos gêneros musicais: porque os sistemas de classificação comercial e não comercial variam by Rose Marie Santini

“…Portanto, comparou-se a classificação colaborativa da música popular que emerge na Internet com aquela utilizada pela Indústria Fonográfica, a partir de dados coletados em dois websites: Last.fm e AllMusic. A partir dessa comparação, verificou-se as diferenças existentes entre os critérios de classificação utilizados pelos usuários e os princípios comerciais de classificação encontrados nos catálogos das gravadoras e editores musicais. …”
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Innovation or deviation? The relationship between boundary crossing and audience evaluation in the music field. by Yongren Shi, Yisook Lim, Chan S Suh

“…After collecting a comprehensive dataset of musicians in the United States from diverse sources including AllMusic, iTunes, and MusicBrainz, we construct a two-mode network of musicians and subgenres. …”
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Music in The Liturgy of The Catholic Community in Jakarta, Indonesia by Adison Adrianus Sihombing

“…For the most part, the level of understanding regarding the nature and important position of liturgical music in religious holy celebrations is low. Most consider that all music is the same and can therefore be used in the liturgy. …”
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Instruction, Devotion, and Affection: Three Roles of Bach’s Well-Tempered Clavier by Rachel A. Lowrance

“…No matter if the piece was sacred or secular, with text or without, Bach believed that all music should glorify God. His music in the Well-Tempered Clavier shows this devotion through musical symbols that signify aspects of the Christian life such as the cross. …”
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The Development Trend of Musicians’ Influence and Music Genres of Big Data by Xi chun Zhang, Li He, Jing yi Wang, Wei Liu

“…This paper uses the data crawled from the AllMusic website to establish a directional network of followers and influences of music genre artists, analyzes the music influence influenced by genre. …”
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