Antonín Dvořák and Richard Wagner by Gabrijelova Jarmila

Subjects: “…Antonín Dvořák…”
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"Co zla již natropila tato domnělá ideovost!" : změna kritických postojů Vladimíra Helferta po přesídlení z Prahy do Brna by Jindřiška Bártová

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Nacionalni in transnacionalni vidiki glasbe: študija primera zgodnje recepcije Dvořákovih del na Slovenskem by Nataša Cigoj Krstulovič

Subjects: “…antonín dvořák…”
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An unsuccessful rehabilitation : performances of Dvořák's Armida in 1918–38 by Veronika Vejvodová

Subjects: “…Antonín Dvořák…”
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Otakar Šourek – nedoceněná postava českého hudebního života by Kateřina Nová

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Reception of Czech and Latvian music by German music critics in Riga in the late 19th and early 20th centuries : some comparative aspects by Baiba Jaunslaviete

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The Short Career of Riccardo Selvi as Translator of Czech Poetry in the Early 1930s by Alessandro Catalano

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Incentives for renewable energy sources in the Czech Rebublic by Antonín Dvořák, Petr Šauer

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Preface to the Special Issue on “Fuzzy Natural Logic in IFSA-EUSFLAT 2021” by Vilém Novák, Antonín Dvořák

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Carl Orff y Gunild Keetman. Textos sobre Teoría y Práctica del Orff-Schulwer Danza en la partitura by Camilo Páez Bernal

“…En la música los grandes compositores y maestros del Romanticismo como Frédéric Chopin, Robert Schumann, Franz Schubert, Antonín Dvořák lograron impresionar al mundo con sus obras, enalteciendo lo ideal, el yo; la perfección como obsesión insaciable en el ser humano. …”
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Ostravská léta německého skladatele, dirigenta a hudebního pedagoga Antona Aicha (1913–1945) by Karel Steinmetz

“…After graduating in the class of Antonín Dvořák in 1901, he became an opera conductor at German theatres until he settled for thirty-two years in Ostrava, where he worked as a conductor of the German opera, choir director, composer and music educator. …”
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The Effect of Ear-Training Approach on Music-Evoked Emotions and Music Liking by Valnea Žauhar, Sabina Vidulin, Marlena Plavšić, Igor Bajšanski

“…In two ear-training lessons prepared either by the standard (STA) or the multimodal and interdisciplinary cognitive-emotional approach (CEA), pupils listened to a 2-minute excerpt from the 4th movement (Allegro con fuoco) of the Symphony no. 9 in E minor, Op. 95 (“From the New World”) by Antonín Dvořák. The Geneva Emotional Music Scale (GEMS-9, Zentner et al., 2008) was translated and adapted to measure music-evoked emotions. …”
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Income Self-Sufficiency and Profitability of Professional Theatres in the Czech Republic by Bečica Jiří

“…Whereas the worst results in profitability have been reported for the North Bohemian Theatre of Opera and Ballet in Ústí nad Labem, the Antonín Dvořák Theatre in Příbram and the South Bohemian Theatre in České Budějovice. …”
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The Effect of Ear-Training Approach on Music-Evoked Emotions and Music Liking by Valnea Žauhar, Sabina Vidulin, Marlena Plavšić, Igor Bajšanski

“…In two ear-training lessons prepared either by the standard (STA) or the multimodal and interdisciplinary cognitive-emotional approach (CEA), pupils listened to a 2-minute excerpt from the 4th movement (Allegro con fuoco) of the Symphony no. 9 in E minor, Op. 95 (“From the New World”) by Antonín Dvořák. The Geneva Emotional Music Scale (GEMS-9, Zentner et al., 2008) was translated and adapted to measure music-evoked emotions. …”
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Vzpomínka na Tesařova ředitelská léta v Muzeu české hudby v Praze by Martkéta Hallová

“…Under his leadership it was divided into four divisions: 1) the music history division under Jana Fojtíková, including the archive of musical manuscripts and prints, the sound recordings collection, and the library, 2) the musical instruments division under Bohuslav Čížek, 3) the Bedřich Smetana Museum under Olga Mojžíšová, and 4) the Antonín Dvořák Museum under Markéta Hallová. The success of this transformation was aided by a good working relationship with the new management of the National Museum in Prague headed by Milan Stloukal. -- The times brought with them a praiseworthy endeavour to correct illegal transfers implemented during the forty years of communist government starting in 1948. …”
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