Arnold Schönberg and musica artificiosa : a rationality in the musical composition by Vladimír Fulka

“…Arnold Schönberg and Anton Webern can be considered an originators of the discours of rationalism. …”
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El «oído del muerto» (totengehör): silencio ensordecedor y anulación de sí en la música última de b. A. Zimmermann by Antoni Gonzalo Carbó

“…O la memoria primordial es una memoria de silencio. Anton Webern hablaba de una música «apenas audible» y Marina Tsvietáieva de una «música reducida a la nada». …”
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Science, scientism, and pseudoscience in die Reihe by McBride, N

“…And how did the journal’s portrayal of the composer Anton Webern assist in codifying the musical practices of the authors with the processes and structures of scientific work? …”

Preface to Gesprochene Musik, 1. “O-a” and 2. “Ta-tam” by Christopher Caines

“…Think of the great composers of German and Austrian music in the last century, and certain names spring to mind: Arnold Schoenberg, Anton Webern, Alban Berg, Paul Hindemith, Kurt Weill. …”
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The tonal webern: a physiognomy of early modernism by Wedler, S

“…<p>As a consequence of the elevation of Anton Webern as the figurehead of atonality and a precursor to post-war serialism, the composer’s tonal repertoire has been widely regarded as embarrassing works of juvenilia and so merely a <em>parergon</em> to what was yet to come, to the extent that it has remained little known and understudied up to this day.…”