“I Never Lik’d Thee Half So Well In Petticoats”: The Disguise Of Gender In Restoration Drama by Soňa Nováková

“…This article will focus on Aphra Behn’s The Widdow Ranter (1690) and Thomas Southerne’s Sir Anthony Love (1691), plays which feature an androgynous central figure, a woman whose male dress is not a temporary disguise, a mask, but an expression of her character. …”
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Neoclassicism and Camp in Sir William Hamilton’s Naples by Ersy Contogouris

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Women, Slavery, and the Archive: Innovations in Slavery Studies and Contemporary Connections by Srividhya Swaminathan

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French imports: English translations of Molière, 1663-1732 by Jones, S

“…<p>This thesis explores the first English translations of Molière's works published between 1663 and 1732 by writers that include John Dryden, Edward Ravenscroft, Aphra Behn, and Henry Fielding. It challenges the idea that the translators straightforwardly plagiarized the French plays and instead argues that their work demonstrates engagement with the dramatic impact and satirical drive of the source texts. …”

Chawton House and its Library: Legacies and Futures by Kim Simpson

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Forgotten Encounters: The Legacy of Sculptresses and Female Muses by Laura Engel

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The Black Wanderer: Reading the Black Diaspora, Resistance, and Becoming in <i>The History of Mary Prince</i> in the Classroom by Nicole Carr

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