The principle of the harmony system of the Arabic music by - Odeh Rishmavi

“…This publication about the interrelation system of sounds and laws governing the contemporary harmony and theory of the Arabic music.…”
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Oral Transmission in Arabic Music, Past and Present by George D. Sawa

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Taqsīm as a Creative Musical Process in Arabic Music by Zaher Alkaei, Mats B. Küssner

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Dabkeh al Djoufieh: Exploring the Sustainability of Jordanian Folklore by Tsonka Al Bakri, Mohammed Mallah

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Vom ›Fremdling‹ zum ›Maßstab‹. Zum Einzug der westlichen Musiktheorie in die arabische Welt bis ins frühe 20. Jahrhundert by Salah Eddin Maraqa

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The Dubai Effect: From Egyptocentricism to Gulf-based Pan-Arabism in Arab Pop Songs by Richard Nedjat-Haiem

“…Looking ahead, the article considers the potential future developments in the Arab music and media industries, particularly in light of Riyadh's efforts to establish itself as a cultural leader in the region.…”
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proposed rules in the eastern musical theories. by Waleed Hasan Aljabery

“…This paper deals with one of important topics that serve the art movement music, which is looking at the stairs of Arab music in the process of reaching to the directory musical on the subject of so-called (Photo by stairs music) and that by comparing the method used previously and the proposed rules reached by the researcher and received the patent invention, the method is easier for the musician and the author in a directory of peace Arab music when used on grades and half grades voice, and to achieve its objectives researcher dealt with the problem that is determined by the multitude of stairs leading Arab and the difficulty of keeping its catalog of music, and for being an anchor and pillar of the music was taken up and put her importance and objectives. …”
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La professionalizzazione dell’industria musicale araba indipendente: contro il paradigma della music of resistance by Fernanda Fischione

“…Finally, the article tackles the issue of the professionalization of the independent Arab music industry, which musicians and workers of the music industry often see as an antidote to the obsolete rhetoric of resistance, and through which they seek to build a new notion of agency.…”
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Performance possibilities of the flute (Descriptive analytical study) by Jowan Adnan Jassim

“…The nay is one of the important in stvument in Arabic music which is considered one of the oriental instruments used in the oriental music tect, and is also considered one of the basic instruments in Arabic music, It is used in many religious and mundane areas, through its expressive capabilities through which expression and conveyance of feelings to the recipient, despite their importance and role in music, and through the researcher's follow-up to this subject did not find a study on the potential capabilities of the machine. …”
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Images de soi et de l’autre en artiste à la croisée des regards dans les Mémoires du chevalier d’Arvieux by Vanezia Pârlea

“…Painting his own portrait and then striving to portray others in his writings, Arvieux moves towards an exploration and appreciation of Arabic music, which he strives to restore, thus ascribing an intercultural social role to art.…”
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Attempts to break out of Arab offers - reasons and problems - by رحيم خريبط الساعدي

“… Researching Arabic music is a very interesting matter, and it requires knowledge of what the Arab ear has become accustomed to adopting certain weights according to a regular and accurate tune that is in line with the sound Arab taste that tends to simulate the Arab mood based on pure instinct. …”
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Le statut socio-économique de la pratique musicale aux Émirats arabes unis. by Maho M. Sebiane

“…Leiwah is an Afro-Arabic musical tradition wide spread in the Persian Golf which came into this region from East Africa by way of Omani merchants. …”
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Sensing Sound: Aesthetic and Religious Experience According to al-Ghazālī by Ines Weinrich

“…This paper re-examines the text against the background of Arab musical theory of the time when it was written, and analyses selected technical terms that allude to concepts rooted in Late Antique musical philosophy and become also tangible in the Qurʾān. al-Ghazālī recognises both aesthetic pleasure and the transformative power of sounds and gives guidance how to channel the hearing perception into a salvific experience.…”
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Al Adhan : documenting historical background, practice rules, and musicological features of the muslim call for prayer in Hashemite Kingdom of Jordan by Tsonka Al Bakri, Mohammed Mallah, Nedal Nuserat

“…Therefore, the first aim of the present study is to demonstrate the Adhan not merely as a part of the theological heritage of Islam, but rather as a cultural phenomenon, part of the Arabic musical heritage. Furthermore, the authors will analyze how the Adhan is taught and how it is performed as per Arabic ancient sources and performance practices. …”
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Music Theory, Cultural Transfer, and Colonial Hybridity by Thomas Christensen

“…Using a range of examples from Medieval Arabic music theory, Jean-Philippe Rameau’s theory of harmony, and Schenkerian theory, it is shown that a global dissemination and absorption of music-theoretical ideas is rarely a straightforward process of import and export. …”
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