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Colour as an Art of Illusion in John Lyly’s Campaspe (1584)
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Miscellany/Mélanges
Published 2017“…<br/>Spire Pitou, The players' return to Versailles, 1723-1757 <br/> Charlotte Hogsett, Jean Baptiste Dubos on art as illusion <br/> Clifton Cherpack, <em>Jacques le fataliste</em> and <em>le Compère Mathieu</em> <br/> William H. …”
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Blog: Review of: Uwe Fleckner and Peter Mack, The Afterlife of the Kulturwissenschaftliche Bibliothek Warburg: Volume 12 (Vortrage Aus Dem Warburg-Haus), Berlin/Boston: De Gruyter...
Published 2016-12-01“…This volume celebrates the eightieth anniversary of the Warburg Library’s transportation from its home in Hamburg to London covering the years from its move to the late fifties when Ernst Gombrich published Art and Illusion. There are useful and entertaining personal memoires, essays based on the archives and three papers based specifically on Gombrich. …”
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Reception, deception, illusion and magic: feminism and theoretical practice
Published 2002-01-01“…There is a tendency within feminist art whereby, as a strategy to address “actual readers” and to concretely affect the “real” world, artists humorously exploit the association of art, magic, illusion and deception in order to shock, move or activate their audiences. …”
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Reception, deception, illusion and magic: feminism and theoretical practice
Published 2002-01-01“…There is a tendency within feminist art whereby, as a strategy to address “actual readers” and to concretely affect the “real” world, artists humorously exploit the association of art, magic, illusion and deception in order to shock, move or activate their audiences. …”
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La tradaptation dans l’audiovisuel : truchement transculturel ou fantaisie accessoire ?
Published 2020-07-01“…In short, the audiovisual translator must master the exercise of loyalty and the art of illusion.…”
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L’expérience lyrique : uniquement à l’opéra ? L’illusion d’unicité entre le genre musical opéra et la catégorie pratique art lyrique
Published 2006-02-01“…Face à l’illusion d’unicité entre l’opéra et l’art lyrique – illusion entretenue en France par le ministère de la culture – c’est au contraire l’art lyrique dans toute sa diversité qui est mise au jour sur le « croissant lyrique fertile » qu’est notre terrain d’études (la Provence). …”
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Cocteau au cirque: The Poetics of Parade and "Le Numéro Barbette"
Published 2003-01-01“…The underlying system structuring the Coctelian poetics perceived by Gobin and Crowson is perhaps neither in Parade nor in "Le Numéro Barbette" alone, but in both as they propose a poetics of Coctelian art as illusion, and reference and actualize the semantic register of a particular signifying system: not the fairground parade , as contends Gobin and other critics, but the circus and circus culture. …”
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Considerações sobre o ator: uma introdução ao projeto nietzschiano da fisiologia da arte Considerations of actor: an introduction to the nietzschian project of physiology of art...
Published 2007-01-01“…Taking as a starting point the discussion about the pertinence of utilization of the term physiology in Nietzsche's work, this article intends to present, in general terms, the reaching of this project to the discussion of the relations between art and truth, art and illusion. In conclusion, the intention here is to show the importance of this idea of a physiology of art taking as a reference the figure of the actor.…”
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Learning to Prioritize Test Cases for Computer Aided Design Software via Quantifying Functional Units
Published 2022-10-01“…We evaluate PriorCadTest on seven modules of an open-source real-world CAD project, ArtOfIllusion. The Average Percentage of Fault Detect (APFD) is used to measure the effectiveness. …”
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Historia sztuki w polu metodologii. Aktualne problemy i wyzwania
Published 2023-12-01“…The retreat from the rigors of methodology was related to the reception of structuralism, initiated by Ernst Gombrich in the book Art and Illusion. Popper’s model of situational logic as a method of historical explanation of works of art was transformed into a structuralist model, referring to constant rules of pictorial representation, symbolization and communication. …”
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