D’Annunzio paesista by Gibellini, Pietro

“… The article traces the relationship of d’Annunzio with the figurative arts and describes the role of natural landscape and art in his works, from his early art criticism activity, to his colorist poetry and to his short stories writing, until late Research Prose passing through his production in prose and verse. …”
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Las nuevas formas de atención en la cultura española de la Transición. El ejemplo de la revista sevillana "Separata" (1978-81) by Fernando Guzmán Simón

“…Through its pages, art, criticism and literature established a new postmodernist literary horizon that set the foundation for the decade of the 80’s.…”
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Ethnic artistic tradition as the object of Ukrainian ethnology by Olena Fedorchuk

“…The proposed concept takes into consideration the scientific achievements of the Ukrainian art criticism and ethnological sciences. The author of review article tries to activate discourse about ethnic artistic tradition. …”
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Ethnic artistic tradition as the object of Ukrainian ethnology by Olena Fedorchuk

“…The proposed concept takes into consideration the scientific achievements of the Ukrainian art criticism and ethnological sciences. The author of review article tries to activate discourse about ethnic artistic tradition. …”
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ZNACZENIE PERSONALISTYCZNEJ KRYTYKI ARTYSTYCZNEJW POSZUKIWANIU SENSU SZTUKI by Joanna Winnicka-Gburek

“…I perceive the art criticism as the philosophical reflection on art. …”
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WAYS OF RE-THINKING LITERATURE / by Bishop, Tom, editor, Grau, Donatien, editor

“…The texts gathered in this extraordinary collection range from philosophy to poetry, to theatre, to cognitive sciences, to art criticism, fiction, and their authors rank amongst the most significant figures in their fields, in France, the United States and the United Kingdom. …”

Les Muses de Tijuca : Portugais et Français à Rio de Janeiro by Luciano Migliaccio

“…The historiography of art in Brazil generally views the arrival of the « French Artistic Mission » as a milestone for its disruption of the colonial tradition and the introduction of elements associated with modernity: educational institutions, public exhibitions, and art criticism. However, this notion can be misleading if one considers the culture of figurative art that existed within the Portuguese colonial empire, obfuscating the formation of a Luso-Brazilian artistic civilization that linked characteristics derived from social and religious facets of the colonial regime to renewal efforts stemming from enlightened reformism. …”
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La porta, il ponte, l’architrave. L’idea di cornice nel sistema performativo by Gottardi, Cristina

“…This essay attempts to adjust frame conception and analysis to the needs of the performance system, with particular stress on the semiotic function of the frame, and considering the outcome of different disciplines such as art criticism and linguistics. Through a review of the opinions of Goffman, Simmel, Ortega, Kernodle and Schechner, it explores the idea of frame as a passageway into the art work (therefore into the performance) and focuses on the definition of frame as threshold, lintel, and bridge. …”
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“Art and Objecthood,” Michael Fried and Jonathan Edwards by Houston Kerr

“…Michael Fried’s 1967 essay “Art and Objecthood” is one of the most well-known and influential pieces of art criticism ever written, and continues to generate novel interpretations. …”
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A Gestalt Theory for ‘Disorder’: From Arnheim’s Ordered Chaos to Brambilla’s Entropic Art by Maria Poulaki

“…I will argue that even though Arnheim’s observations can still be valuable for contemporary art criticism they need to be updated as they tend to overstate the tendency for order as well as the visual aspects of reception in the expense of multimodal and embodied aspects. …”
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Ballet Klauss Vianna in Belo Horizonte (1958-1962): paths of a modernity for the Brazilian ballet by Arnaldo Leite de Alvarenga

“…Methodologically, images from 4 covers of programs by Ballet Klauss Vianna (BKV), photographs from 4 works that were part of these programs, oral testimonies, articles and journalistic criticism of the time, writings by Vianna, authors linked to Nouvelle Histoire, to Art criticism, among others, relating them. It is intended to highlight the potential of images as a relevant methodological tool for a possible understanding of the choreographic productions of Klauss Vianna in the dance historiography in Brazil. …”
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Between the singular and the plural: notes on art, autonomy and politics by João Pedro Cachopo

“…So these notes cover various issues including the difference and complementarity between aesthetic and art (II); the relationship between artistic practice, aesthetic experience and art criticism (III); the interaction of the arts in the light of the postmodern debate (IV); the diversity of interartistic practices (V). …”
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Mapping the contemporary historiography of the artist interview as a literary and critical genre: a critical introduction by Lucia Farinati, Jennifer Thatcher

“…It examines the status of artist interviews in relation to author interviews and the fields of oral history, art practice, art criticism and art history. The interview’s performative nature is emphasised, and the supposed ‘authenticity’ of the artist’s voice questioned. …”
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Artifact Biography: A Variable Colour Mixer by Erich Weidenhammer

“…Kirschmann’s hostility to existing art criticism reflected his belief that experimental psychology could provide a coherent foundation to the language of aesthetics.…”
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La critique de paysage peut-elle être scientifique ? by Catherine Chomarat-Ruiz

“…Focusing on the scientific character of the landscape criticism, this article distinguishes this practice from the landscaping hermeneutics and expertise : it compares it to art criticism and brings it back to the critical interpretation of a project. …”
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JAIME SUÁREZ ANTE LA CRÍTICA DE ARTE PUERTORRIQUEÑA. IMPRESIONES DE UNA DÉCADA (1975-1985) by Daniel Expósito Sánchez

“…Keywords: Pottery. Caribbean. Art criticism. Claygraphy…”
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(Anti-)Biography and Neo-Impressionism by Foa, Michelle

“…This article analyzes neo-impressionism in relation to the biographical model of art criticism and art history that became increasingly prevalent in France over the course of the 19th century. …”
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El grupo El Paso y la crítica del arte by José Ignacio Gómez Álvarez

“…Through the most representative art criticism of the moment and subsequent and through the studies dedicated to the group its reach is studied, and also the outline that set up the production of their members and their ways of rupture with the prevailing scene.…”
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Landscapes as Narrative Commentary in Cormac McCarthy’s Blood Meridian or the Evening Redness in the West by Dianne C. Luce

“…Evoking in the reader the perceptual and interpretive modes of a pensive viewer of a painted landscape, these scenes invite us to apply techniques drawn from art criticism to comprehend them as the narrator’s sober meditations on the Glanton gang’s violent enterprise.…”
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Studio dal naturale e eclettismo nello 'Schilder-Boeck' di Karel van Mander by Stefano Pierguidi

“…Naturalism and Eclecticism in Karel van Mander’s Schilder-BoeckA passage in Karel van Mander’s Life of Goltzius is an important, but overlooked, moment in support of the so-called theory of the eclecticism that in seventeenth century art criticism flourished around the Carracci painters – Agostino in particular. …”
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